Francesco Cavalli, Michel Corboz, Luciano Sgrizzi, Rosemary Hardy, English Bach Festival Baroque Orchestra made "Cavalli: Ercole amante, Act 2, Scene 6: "Mormorate, fiumicelli" (Pasitea)" available on July 1, 1981. With Cavalli: Ercole amante, Act 2, Scene 6: "Mormorate, fiumicelli" (Pasitea) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 27 out of 79 in Cavalli: Ercole amante by Francesco Cavalli, Ulrik Cold, Yvonne Minton, Felicity Palmer, English Bach Festival Baroque Orchestra, Michel Corboz. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Cavalli: Ercole amante, Act 2, Scene 6: "Mormorate, fiumicelli" (Pasitea) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Cavalli: Ercole amante, Act 2, Scene 6: "Mormorate, fiumicelli" (Pasitea) by Francesco Cavalli, Michel Corboz, Luciano Sgrizzi, Rosemary Hardy, English Bach Festival Baroque Orchestra is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Strozzi: Arie, Op. 8 No. 6: "Che si può fare" | Barbara Strozzi, Emőke Baráth, Francesco Corti, Il Pomo D'oro | C Major | 1 | 8B | 73 BPM | ||
Miserere: II. Amplius lava me - Tibi soli peccavi | Michel Richard Delalande, Sophie Karthäuser, Ensemble Correspondances, Sébastien Daucé | B Minor | 1 | 10A | 129 BPM | ||
Scherzi musicali, cioè arie, et madrigali in stil recitativo: Zefiro torna, SV 251 | Claudio Monteverdi, Magdalena Kozená, Anna Prohaska, La Cetra Barockorchester Basel, Andrea Marcon | G Major | 2 | 9B | 101 BPM | ||
Purcell : King Arthur : Act 2 "Shepherd, shepherd, leave decoying" [Sopranos] | William Christie | F Minor | 1 | 4A | 94 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM | ||
Missa Dolorosa: IV. Sanctus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Il diluvio universale, Act IV "In l’arca di Noè": Ecco l’Iride paciera | Michelangelo Falvetti, Leonardo García-Alarcón, Chœur De Chambre De Namur, Cappella Mediterranea | F Major | 5 | 7B | 112 BPM | ||
Oreste, HWV A11 - Act 1: "Agitato da fiere tempeste" | George Frideric Handel, Franco Fagioli, Il Pomo D'oro, Zefira Valova | D♭ Major | 5 | 3B | 122 BPM | ||
Giasone: Act I Scene 2: Delizie, contenti che l'alma beate (Giasone, Ercole) | Francesco Cavalli, Christophe Dumaux, Katarina Bradic, Robin Johannsen, Josef Wagner, Filippo Adami, Yaniv D'or, Angelique Noldus, Andrew Ashwin, Emilio Pons, Flanders Opera Chorus, Flanders Opera Symphony Orchestra, Federico Maria Sardelli | D Minor | 1 | 7A | 74 BPM | ||
Passacaglia - Lamento d'Apollo | Luigi Rossi, Francesco Cavalli, Nihan Devecioglu, Friederike Heumann, Xavier Diaz-Latorre | D♭ Minor | 0 | 12A | 113 BPM |
Section: 0.6856279373168945
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