"Requiem: Tuba mirum" by Alfred Schnittke, Annika Eliasson-Frick, Helena Olsson, Susanne Carlstrom, Malena Ernman, Johan Christensson, Jonas Lindeborg, Mikael Oskarsson, Magnus Bengtsson, Anders Kotz, Michael Engstrom, Eric Skarby, Stefan Therstam, Jonny Ronnlund, Fredrik Bjorlin, Rolf Thunander, Bo Soderberg, Swedish Radio Choir, Tõnu Kaljuste was released on January 1, 1995. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Schnittke: Requiem - Gorecki: Miserere". In this album, this song's track order is #4. Requiem: Tuba mirum is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Requiem: Tuba mirum by Alfred Schnittke, Annika Eliasson-Frick, Helena Olsson, Susanne Carlstrom, Malena Ernman, Johan Christensson, Jonas Lindeborg, Mikael Oskarsson, Magnus Bengtsson, Anders Kotz, Michael Engstrom, Eric Skarby, Stefan Therstam, Jonny Ronnlund, Fredrik Bjorlin, Rolf Thunander, Bo Soderberg, Swedish Radio Choir, Tõnu Kaljuste having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus | Olivier Messiaen, Robert Plane, Gould Piano Trio | E Major | 0 | 12B | 81 BPM | ||
Requiem: 3. Dies irae | Alfred Schnittke, Moscow State Academic Chamber Choir, Timofei Golberg, Alexey Zavolokin, Sergei Sokuler, Marianna Vysotskaya, Elena Ilyina, Percussion ensemble of the Moscow Philharmonic Orchestra | B♭ Major | 3 | 6B | 154 BPM | ||
Soliloquy for Oboe and Orchestra (Orch. by Gordon Jacob) | Edward Elgar, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | A Minor | 0 | 8A | 76 BPM | ||
Soleils de septembre | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | D Major | 0 | 10B | 71 BPM | ||
Ravel / Arr. Grainger: Miroirs, M. 43: V. La vallée des cloches | Maurice Ravel, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | D♭ Major | 0 | 3B | 140 BPM | ||
Suite in the Old Style: II. Ballet | Alfred Schnittke, Daniel Hope, Alexey Botvinov | D Major | 3 | 10B | 117 BPM | ||
Concerto for Choir: IV. Complete this Work Which I Began in Hope and with Your Name | Alfred Schnittke, Elena Dof-Donskaya, Valery Polyansky, USSR Ministry of Culture Chamber Choir | G Major | 1 | 9B | 92 BPM | ||
Gli uccelli (The Birds), P. 154: II. La colomba: Andante expressivo | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | F♯ Minor | 1 | 11A | 123 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
Deux Sérénades (Written for Hilary Hahn): No. 1. Sérénade pour mon amour. Moderato | Einojuhani Rautavaara, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko Franck | A Minor | 1 | 8A | 92 BPM |
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