"Concerto for Choir: IV. Complete this Work Which I Began in Hope and with Your Name" by Alfred Schnittke, Elena Dof-Donskaya, Valery Polyansky, USSR Ministry of Culture Chamber Choir was released on January 1, 1989. Concerto for Choir: IV. Complete this Work Which I Began in Hope and with Your Name is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. There are a total of 4 in the song's album "Schnittke: Concerto for Choir". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Russia. In terms of popularity, Concerto for Choir: IV. Complete this Work Which I Began in Hope and with Your Name is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto for Choir: IV. Complete this Work Which I Began in Hope and with Your Name by Alfred Schnittke, Elena Dof-Donskaya, Valery Polyansky, USSR Ministry of Culture Chamber Choir having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
Arcadiana, Op. 12: VI. O Albion | Thomas Adès, Signum Quartet | E♭ Major | 0 | 5B | 72 BPM | ||
Little Tragedies | Alfred Schnittke, State USSR Cinema Orchestra, Emin Khachaturian | D♭ Major | 2 | 3B | 89 BPM | ||
Clarinet Sonata No. 1 in F Minor, Op. 120 (orch. L. Berio): II. Andante un poco adagio | Luciano Berio, Johannes Brahms, Karl-Heinz Steffens, Rhenish State Philharmonic Orchestra, Daniel Raiskin | A♭ Major | 0 | 4B | 69 BPM | ||
Concerto grosso no.1 (1976-77): 1. Preludio: Andante | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | C Minor | 0 | 5A | 93 BPM | ||
DANCE: II. if you’ve torn the bandage off | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | G Major | 2 | 9B | 99 BPM | ||
Musical Toys: 6. Song of the fisherman | Sofia Gubaidulina, Claire-Marie Le Guay | G Minor | 0 | 6A | 66 BPM | ||
The Snowstorm: III. Spring and autumn | Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra, State academic large symphony orchestra | E Minor | 1 | 9A | 61 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Ritirata notturna di Madrid (arr. L. Berio for orchestra) | Luciano Berio, Luigi Boccherini, Radion sinfoniaorkesteri, Hannu Lintu | C Major | 2 | 8B | 135 BPM |
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