"Ritirata notturna di Madrid (arr. L. Berio for orchestra)" by Luciano Berio, Luigi Boccherini, Radion sinfoniaorkesteri, Hannu Lintu was released on October 14, 2014. Since Ritirata notturna di Madrid (arr. L. Berio for orchestra) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 7 in Berio: Ritirata notturna di Madrid, Calmo & Sinfonia by Luciano Berio, Radion sinfoniaorkesteri, Hannu Lintu, Virpi Raisanen. Based on our statistics, Ritirata notturna di Madrid (arr. L. Berio for orchestra)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ritirata notturna di Madrid (arr. L. Berio for orchestra) by Luciano Berio, Luigi Boccherini, Radion sinfoniaorkesteri, Hannu Lintu is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Gloria, G. 530: Qui tollis: Largo (Soprano, Chorus) | Luigi Boccherini, Svetla Krasteva, Fernanda Piccini, Manuel Beltran-Gil, Duccio dal Monte, Cappella Santa Cecilia della Cattedrale di Lucca, Teatro del Giglio di Lucca Symphony Orchestra, Gianfranco Cosmi | E♭ Major | 0 | 5B | 100 BPM | ||
Concerto for 2 Mandolins in G Major for Strings and Continuo, RV 532: II. Andante | Antonio Vivaldi, L'Arte dell' Arco, Mauro Squillante, Davide Rebuffa, Federico Guglielmo | E Minor | 1 | 9A | 70 BPM | ||
Slavonic Dances, Op. 72, B. 147: No. 2, Dumka | Antonín Dvořák, George Szell, Cleveland Orchestra | C Major | 2 | 8B | 101 BPM | ||
Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": II. Melankolia (Melancholy) | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | E Minor | 0 | 9A | 78 BPM | ||
The Old Fisherman's Song | Johan Halvorsen, Henning Kraggerud, Razumovsky Symphony Orchestra, Bjarte Engeset | E Minor | 1 | 9A | 175 BPM | ||
Sospiri, Op. 70 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 177 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
Serenade For Strings, Op.11 | Dag Wirén, Johannes Somary, English Chamber Orchestra | C Major | 1 | 8B | 126 BPM | ||
String Quintet in C Major G. 324, Op. 30, No.6, "La musica notturna delle strade di Madrid": String Quintet in C major G.324, Op.30 No.6, "La musica notturna delle strade di Madrid": IV. Il rosario: Largo assai - Allegro | Luigi Boccherini, Cuarteto Casals, Eckart Runge | G Major | 0 | 9B | 82 BPM | ||
Airs Espagnols, Op. 18 (version for violin and orchestra) | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | A Major | 1 | 11B | 108 BPM |
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