"Gloria, G. 530: Qui tollis: Largo (Soprano, Chorus)" by Luigi Boccherini, Svetla Krasteva, Fernanda Piccini, Manuel Beltran-Gil, Duccio dal Monte, Cappella Santa Cecilia della Cattedrale di Lucca, Teatro del Giglio di Lucca Symphony Orchestra, Gianfranco Cosmi was released on August 1, 2013. Since Gloria, G. 530: Qui tollis: Largo (Soprano, Chorus) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 15 in Boccherini: Symphony in D Major, Op. 42, Gloria, Credo & Kyrie by Luigi Boccherini, Gianfranco Cosmi. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. In terms of popularity, Gloria, G. 530: Qui tollis: Largo (Soprano, Chorus) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gloria, G. 530: Qui tollis: Largo (Soprano, Chorus) by Luigi Boccherini, Svetla Krasteva, Fernanda Piccini, Manuel Beltran-Gil, Duccio dal Monte, Cappella Santa Cecilia della Cattedrale di Lucca, Teatro del Giglio di Lucca Symphony Orchestra, Gianfranco Cosmi is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Violin Concerto In D, Op.35, TH. 59: 2. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 103 BPM | ||
Tchaikovsky / Arr. Stetsuk for Cello and Orchestra: 6 Romances, Op. 57: No. 3, Do Not Ask | Pyotr Ilyich Tchaikovsky, Alexander Kniazev, Constantine Orbelian, Moscow Chamber Orchestra | D Minor | 2 | 7A | 106 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 105 BPM | ||
Concerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 1. Largo e staccato | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | F♯ Major | 0 | 2B | 110 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
Tritsch-Tratsch Polka, Op. 214 | Nora Mercz, Johann Strauss II, Janos Balint | D Major | 1 | 10B | 76 BPM | ||
Symphony in A Major, Op. 12, No. 6, G. 508: I. Allegro assai | Luigi Boccherini, German Chamber Academy Neuss, Johannes Goritzki | A Major | 1 | 11B | 80 BPM | ||
Symphony No.3 in C, Op.12: 2. Andantino amoroso | Luigi Boccherini, Emanuel Hurwitz, Kenneth Moore, Norman Jones, Rowena Ramsell, New Philharmonia Orchestra, Raymond Leppard | G Major | 1 | 9B | 119 BPM | ||
Quintetto No. 4 in Re Maggiore "Fandango" per Corda e Chitarra, G. 448: Pastorale | Luigi Boccherini, Jordi Savall, Rolf Lislevand, Le Concert Des Nations | A Major | 0 | 11B | 128 BPM |
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