"Requiem: 3. Dies irae" by Alfred Schnittke, Moscow State Academic Chamber Choir, Timofei Golberg, Alexey Zavolokin, Sergei Sokuler, Marianna Vysotskaya, Elena Ilyina, Percussion ensemble of the Moscow Philharmonic Orchestra was released on November 4, 2022. With Requiem: 3. Dies irae being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 17 in Alfred Schnittke: Requiem by Alfred Schnittke, Moscow State Academic Chamber Choir, Timofei Golberg. Going off of the ISRC code of this track, we detected that the origin of this track is from Russia. Based on our statistics, Requiem: 3. Dies irae's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem: 3. Dies irae by Alfred Schnittke, Moscow State Academic Chamber Choir, Timofei Golberg, Alexey Zavolokin, Sergei Sokuler, Marianna Vysotskaya, Elena Ilyina, Percussion ensemble of the Moscow Philharmonic Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 154 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova | François Couperin, Marina Baranova | A♭ Major | 0 | 4B | 69 BPM | ||
Trombone Concerto (arr. A. Schnittke): III. Allegro moderato | Alfred Schnittke, Nino Rota, Christian Lindberg, Tapiola Sinfonietta, Osmo Vänskä | D Major | 0 | 10B | 113 BPM | ||
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The Alcotts | Charles Ives, Marc-André Hamelin | E♭ Major | 0 | 5B | 72 BPM | ||
Stille Musik: 1. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | ||
Trombone Concerto (arr. A. Schnittke): I. Andante et Scherzo | Alfred Schnittke, Henri Tomasi, Christian Lindberg, Tapiola Sinfonietta, Osmo Vänskä | F♯ Major | 0 | 2B | 69 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
Poulenc: Flute Sonata, FP 164: II. Cantilena | Francis Poulenc, Emmanuel Pahud, Eric Le Sage | B♭ Minor | 0 | 3A | 64 BPM | ||
Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM |
Section: 1.0047833919525146
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