Jean-Baptiste Lully, Camerata Rhenania, Hanspeter Gmür's 'La Triumphe de l'amour, Ballet Suite: V. Entre d'Apollon' came out on January 1, 2009. The duration of La Triumphe de l'amour, Ballet Suite: V. Entre d'Apollon is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. La Triumphe de l'amour, Ballet Suite: V. Entre d'Apollon's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Lully - La Triumphe de l'amour, Ballet Suit - Purcell: Dido & Aeneas and King Arthur Suite" album is number 5 out of 25. On top of that, United States appears to be the country where this track was created. La Triumphe de l'amour, Ballet Suite: V. Entre d'Apollon is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Triumphe de l'amour, Ballet Suite: V. Entre d'Apollon by Jean-Baptiste Lully, Camerata Rhenania, Hanspeter Gmür to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canzonette d'amore | Claudio Monteverdi, Concerto Delle Dame Di Ferrara, Sergio Vartolo | B Minor | 0 | 10A | 100 BPM | ||
Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | E♭ Major | 1 | 5B | 75 BPM | ||
Rameau: Hippolyte et Aricie, RCT 43, Act 3 Scene 1: Prélude | Jean-Philippe Rameau, Véronique Gens, Christophe Rousset, Les Talens Lyriques | B♭ Major | 2 | 6B | 107 BPM | ||
Jubilate Deo: Taliter non fecit omni nationi | Jean-Baptiste Lully, Amel Brahim-Djelloul, Howard Crook, Damien Guillon, Hervé Lamy, Arnaud Marzorati, Les Pages, Les Chantres, Musica Florea, Olivier Schneebeli | C Major | 2 | 8B | 113 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": II. Moderato e dolce | William Boyce, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 80 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | F♯ Minor | 2 | 11A | 156 BPM | ||
Fago: Il Faraone sommerso: "Alla gente a Dio diletta" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 1 | 12B | 92 BPM | ||
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | F♯ Minor | 1 | 11A | 87 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM |
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