Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons's 'Symphony No. 15 in A Major, Op. 141: I. Allegretto' came out on June 25, 2021. Since Symphony No. 15 in A Major, Op. 141: I. Allegretto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 24 in the song's album "Shostakovich: Symphonies Nos. 1, 14 & 15; Chamber Symphony in C Minor". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. Based on our statistics, Symphony No. 15 in A Major, Op. 141: I. Allegretto's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Symphony No. 15 in A Major, Op. 141: I. Allegretto by Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Quixote, Op. 35, TrV 184: Variation X. Zweikampf mit dem Ritter vom blanken Monde: Heimkehr des geschlagenen Don Quixote | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | F Major | 1 | 7B | 112 BPM | ||
Symphony No. 4 in E-Flat Major - "Romantic", WAB 104 - Version 1878/1880: III. Scherzo (Bewegt) - Trio (Nicht zu schnell. Keinesfalls schleppend) - Live | Anton Bruckner, Gewandhausorchester, Andris Nelsons | D♭ Major | 1 | 3B | 128 BPM | ||
Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): I. Allegro moderato | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Symphony No. 3 in D Minor, Part II: II. Tempo di menuetto | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A Major | 1 | 11B | 71 BPM | ||
Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 88 BPM | ||
Piano Concerto No. 3, BB 127, Sz. 119: III. Allegro vivace | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | B Major | 2 | 1B | 150 BPM | ||
Capricorn Concerto, Op. 21: II. Allegretto | Samuel Barber, Stephane Rancourt, John Gracie, Karen Jones, Royal Scottish National Orchestra, Marin Alsop | G Major | 0 | 9B | 62 BPM | ||
Symphony No. 5 in B flat, Op. 100: 2. Allegro marcato | Sergei Prokofiev, London Symphony Orchestra, Valery Gergiev | D Major | 1 | 10B | 168 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: Games of the Rival Tribes | Igor Stravinsky, Teodor Currentzis, musicAeterna | G Major | 4 | 9B | 80 BPM |
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