"Symphony No. 4 in E-Flat Major - "Romantic", WAB 104 - Version 1878/1880: III. Scherzo (Bewegt) - Trio (Nicht zu schnell. Keinesfalls schleppend) - Live" by Anton Bruckner, Gewandhausorchester, Andris Nelsons was released on February 16, 2018. Symphony No. 4 in E-Flat Major - "Romantic", WAB 104 - Version 1878/1880: III. Scherzo (Bewegt) - Trio (Nicht zu schnell. Keinesfalls schleppend) - Live appears to be safe for all ages as it is not explicit. The song is number 4 out of 5 in Bruckner: Symphony No. 4 / Wagner: Lohengrin Prelude (Live) by Anton Bruckner, Gewandhausorchester, Andris Nelsons. Based on our statistics, Symphony No. 4 in E-Flat Major - "Romantic", WAB 104 - Version 1878/1880: III. Scherzo (Bewegt) - Trio (Nicht zu schnell. Keinesfalls schleppend) - Live's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 4 in E-Flat Major - "Romantic", WAB 104 - Version 1878/1880: III. Scherzo (Bewegt) - Trio (Nicht zu schnell. Keinesfalls schleppend) - Live by Anton Bruckner, Gewandhausorchester, Andris Nelsons is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonie Nr. 3 c-Moll, Op. 78, "Orgelsinfonie": 2. Maestoso - Allegro - Più allegro - Molto allegro - Pesante (Ein Schweinchen names Babe): I. Poco adagio | Camille Saint-Saëns, Imrich Szabo, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | E Minor | 1 | 9A | 81 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Requiem in D Minor, WAB 39: I. Introitus. Requiem | Anton Bruckner, RIAS Kammerchor, Akademie für Alte Musik Berlin, Łukasz Borowicz | B Minor | 1 | 10A | 166 BPM | ||
Symphony No. 1 in D Major, Op. 25: III. Gavotta. Non troppo allegro | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 134 BPM | ||
Dolly, Op.56: 2. Mi-A-Ou | Gabriel Fauré, Katia Labèque, Marielle Labèque | F Major | 1 | 7B | 71 BPM | ||
Gli uccelli (The Birds), P. 154: I. Preludio: Allegro moderato | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 74 BPM | ||
Manfred Symphony, Op. 58, TH.28: 2. Vivace con spirito | Pyotr Ilyich Tchaikovsky, Czech Philharmonic Orchestra, Semyon Bychkov | C Major | 3 | 8B | 96 BPM | ||
Mutations from Bach | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | B♭ Major | 0 | 6B | 92 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.5 in A Major (Allegro vivace) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | E Major | 3 | 12B | 142 BPM | ||
A Fugal Concerto, Op. 40: II. Adagio | Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths | D Major | 1 | 10B | 60 BPM |
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