"Missa brevis, Op. 64: III. Sanctus" by William Mathias, Matthew Owens, Wells Cathedral Choir, Jonathan Vaughn was released on May 1, 2009. The duration of Missa brevis, Op. 64: III. Sanctus is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Missa brevis, Op. 64: III. Sanctus's duration is considered a little bit shorter than the average duration of a typical track. This song is part of William Mathias: Missa brevis & Other Choral Music by William Mathias, Wells Cathedral Choir, Matthew Owens. The song's track number on the album is #9 out of 18 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. The popularity of Missa brevis, Op. 64: III. Sanctus is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Missa brevis, Op. 64: III. Sanctus by William Mathias, Matthew Owens, Wells Cathedral Choir, Jonathan Vaughn has a tempo of 169 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Missa brevis, Op. 64: III. Sanctus being at 169 BPM, the half-time would be 84 BPM with a double-time of 338 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
The music key of this track is G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Nutcracker Suite, Op. 71a, TH 35 (Excerpts Arr. I. Tracey for Organ): IIb. Danse de la fée-dragée | Pyotr Ilyich Tchaikovsky, Ian Tracey | D Major | 2 | 10B | 67 BPM | ||
Mass for Double Choir: IV. Sanctus - Benedictus | Frank Martin, Westminster Choir, Joe Miller | D Major | 2 | 10B | 122 BPM | ||
Magnificat and Nunc Dimittis in A: Nunc dimittis | Herbert Sumsion, Choir of St. John's College, Cambridge, Andrew Nethsingha | F♯ Minor | 1 | 11A | 130 BPM | ||
I Sat Down Under His Shadow | Edward Bairstow, Westminster Choir, Joe Miller | E Major | 0 | 12B | 135 BPM | ||
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM | ||
Nunc Dimittis in F Major (1) | George Dyson, Hereford Cathedral Choir, Huw Williams, Roy Massey | F Minor | 9 | 4A | 140 BPM | ||
I Will Wash My Hands in Innocency | Edward Bairstow, The Choir of York Minster, Robert Sharpe | B Major | 2 | 1B | 0 BPM | ||
Three Improvisations | William Mathias, Osian Ellis | C Minor | 1 | 5A | 110 BPM | ||
Oboe Concerto: II. Adagio espressivo | William Mathias, BBC Welsh Symphony Orchestra, David Cowley, Grant Llewellyn | A Minor | 0 | 8A | 110 BPM | ||
Christmas Troparion (Inexpressible Wonder, No.4) | Georgy Sviridov, Conspirare, Craig Hella Johnson | D♭ Major | 1 | 3B | 71 BPM |
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