"The Nutcracker Suite, Op. 71a, TH 35 (Excerpts Arr. I. Tracey for Organ): IIb. Danse de la fée-dragée" by Pyotr Ilyich Tchaikovsky, Ian Tracey was released on November 11, 2007. With The Nutcracker Suite, Op. 71a, TH 35 (Excerpts Arr. I. Tracey for Organ): IIb. Danse de la fée-dragée being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "The Grand Organ of Liverpool Cathedral". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. The Nutcracker Suite, Op. 71a, TH 35 (Excerpts Arr. I. Tracey for Organ): IIb. Danse de la fée-dragée is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Nutcracker Suite, Op. 71a, TH 35 (Excerpts Arr. I. Tracey for Organ): IIb. Danse de la fée-dragée by Pyotr Ilyich Tchaikovsky, Ian Tracey having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Notturno, Op. 54 no. 4 | Edvard Grieg, Bjørn Andor Drage | A Minor | 3 | 8A | 95 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
30 Little Chorale Preludes, Op. 135a: VII. Es ist das Heil uns kommen her | Max Reger, Ludger Lohmann | G Major | 1 | 9B | 129 BPM | ||
Gott hilf mir, denn das Wasser geht mir bis an die Seele, BuxWV 34: I. Sonata | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin | C Minor | 0 | 5A | 148 BPM | ||
The Four Seasons - Winter in F Minor, RV. 297: II. Largo | Antonio Vivaldi, Adrian Chandler, La Serenissima | B♭ Major | 2 | 6B | 159 BPM | ||
Symphony No. 1 for Organ and Orchestra, Op. 42: III. Finale | Alexandre Guilmant, Ian Tracey, Yan Pascal Tortelier, BBC Philharmonic | G Minor | 2 | 6A | 82 BPM | ||
Organ Concerto in B Minor, LV 133 (after Vivaldi's Violin Concerto in E Minor, RV 275): III. Allegro | Johann Gottfried Walther, Martin Schmeding | B Minor | 2 | 10A | 118 BPM | ||
Waltz | KuroBeat, Yuji Nomi | D Minor | 2 | 7A | 97 BPM | ||
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
Jerusalem (Arr. for Cello & Piano) | Hubert Parry, Steven Isserlis, Connie Shih | B Minor | 1 | 10A | 112 BPM |
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