Henry Purcell, Philip Ledger, Choir of King's College, Cambridge's 'Purcell: Remember Not, Lord, Our Offences, Z. 50' came out on January 1, 1977. The duration of Purcell: Remember Not, Lord, Our Offences, Z. 50 is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Purcell: Remember Not, Lord, Our Offences, Z. 50's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Purcell: Funeral Music for Queen Mary & Anthems". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Purcell: Remember Not, Lord, Our Offences, Z. 50 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Purcell: Remember Not, Lord, Our Offences, Z. 50 by Henry Purcell, Philip Ledger, Choir of King's College, Cambridge having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 9: IV. Sanctus (1961 Version) | Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Choir of King's College, Cambridge | G Minor | 1 | 6A | 67 BPM | ||
Uti vår hage | Hugo Alfvén, Simon Phipps, Swedish Chamber Choir | A Minor | 3 | 8A | 100 BPM | ||
Rachmaninov: Vespers, Op. 37: X. Voskreseniye Khristovo videvshe | Sergei Rachmaninoff, Choir of King's College, Cambridge, Stephen Cleobury | F Major | 1 | 7B | 174 BPM | ||
Seven Poems of Robert Bridges, Op. 17: III. My spirit sang all day | Gerald Finzi, Finzi Singers, Paul Spicer | A Minor | 1 | 8A | 121 BPM | ||
The Indian Queen, Z. 630 : Act III - Third Act Tune (Rondeau) | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | A♭ Major | 0 | 4B | 114 BPM | ||
The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act II: Song, Chorus & Dance - Sing While We Trip It | Henry Purcell, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 155 BPM | ||
Purcell: Funeral Sentences: Man That Is Born of a Woman, Z. 27 | Henry Purcell, Philip Ledger, Choir of King's College, Cambridge, Timothy Byram-Wigfield, Robert Chilcott, Jonathan Robarts, Francis Grier, Michael Cockerham | C Minor | 2 | 5A | 118 BPM | ||
Messe "Cum Jubilo", Op. 11: V. Agnus Dei (1967 Version) | Maurice Duruflé, Choir of King's College, Cambridge, Stephen Cleobury | E Minor | 0 | 9A | 82 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: III. Credo | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | A♭ Major | 1 | 4B | 118 BPM | ||
Today the Virgin (Znamenny Chant), Op. 7b | Alexander Dmitriyevich Kastalsky, Conspirare, Craig Hella Johnson | B♭ Major | 2 | 6B | 134 BPM |
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