Messe "Cum Jubilo", Op. 11: V. Agnus Dei (1967 Version)
Maurice Duruflé, Choir of King's College, Cambridge, Stephen Cleobury
Duruflé: Requiem, Four Motets, Messe Cum Jubilo
4:24 September 9, 2016
BPM
82
Key
E Minor
Camelot
9A

Embed

Share Link

Messe "Cum Jubilo", Op. 11: V. Agnus Dei (1967 Version) - Maurice Duruflé, Choir of King's College, Cambridge, Stephen Cleobury Information

Acousticness
96%
Danceability
8%
Energy
0%
Instrumentalness
0%
Liveness
20%
Loudness
43%
Speechiness
4%
Valence
3%
Popularity
Loudness
-33.916 dB

Summary

"Messe "Cum Jubilo", Op. 11: V. Agnus Dei (1967 Version)" by Maurice Duruflé, Choir of King's College, Cambridge, Stephen Cleobury was released on September 9, 2016. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 18 out of 18 in Duruflé: Requiem, Four Motets, Messe Cum Jubilo by Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Choir of King's College, Cambridge. Messe "Cum Jubilo", Op. 11: V. Agnus Dei (1967 Version) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Messe "Cum Jubilo", Op. 11: V. Agnus Dei (1967 Version) BPM

The tempo marking of Messe "Cum Jubilo", Op. 11: V. Agnus Dei (1967 Version) by Maurice Duruflé, Choir of King's College, Cambridge, Stephen Cleobury is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Messe "Cum Jubilo", Op. 11: V. Agnus Dei (1967 Version) Key

This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Exultate Justi by Lodovico Grossi da Viadana, Voices of Ascension Chorus, Dennis KeeneExultate JustiLodovico Grossi da Viadana, Voices of Ascension Chorus, Dennis KeeneA Major111B78 BPM
O lux beata Trinitas by Andrej Makor, BYU Singers, Andrew CraneO lux beata TrinitasAndrej Makor, BYU Singers, Andrew CraneF♯ Major12B106 BPM
Remember Not, Lord, Our Offences, Z. 50 by Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda QuistRemember Not, Lord, Our Offences, Z. 50Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda QuistA Minor18A133 BPM
All-night Vigil, Op. 37, All-night Vigil, Op. 37, "Vespers": Hexapsalms: Glory to God on highSergei Rachmaninoff, Latvian Radio Choir, Sigvards KļavaD Minor17A71 BPM
Historia der Auferstehung Jesu Christi, SWV 50: I. Introitus. Die Auferstehung unsers Herren Jesu Christi by Heinrich Schütz, Margret Baumgartl, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph RademannHistoria der Auferstehung Jesu Christi, SWV 50: I. Introitus. Die Auferstehung unsers Herren Jesu ChristiHeinrich Schütz, Margret Baumgartl, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph RademannD♭ Major13B169 BPM
The Waves are Sleepy by St. Petersburg Optina Pustyn Male ChoirThe Waves are SleepySt. Petersburg Optina Pustyn Male ChoirA♭ Major14B138 BPM
Five Hebrew Love Songs: Rakút (Tenderness) by Eric Whitacre, Eric Whitacre SingersFive Hebrew Love Songs: Rakút (Tenderness)Eric Whitacre, Eric Whitacre SingersG Major19B92 BPM
4 Gesange, Op. 17: Es tont ein voller Harfenklang by Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling4 Gesange, Op. 17: Es tont ein voller HarfenklangJohannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth RillingC Major18B111 BPM
Dieu, qu'il l'a fait bon regarder by Claude Debussy, Norddeutscher Figuralchor, Jörg StraubeDieu, qu'il l'a fait bon regarderClaude Debussy, Norddeutscher Figuralchor, Jörg StraubeA♭ Minor01A85 BPM
Der 13. Psalm, Op. 27 by Johannes Brahms, MDR Leipzig Radio Chorus, Wolf-Dieter HauschildDer 13. Psalm, Op. 27Johannes Brahms, MDR Leipzig Radio Chorus, Wolf-Dieter HauschildG Major19B93 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.571814775466919

End: 0.5766463279724121