"La Fille Mal Gardee: Pas de (arr. March): Act II: Adagio" by March, Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov was released on January 1, 2002. With this song being about 5 minutes long, at 4:30, "La Fille Mal Gardee: Pas de (arr. March): Act II: Adagio" by March, Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 19 out of 26 in Ballet Music - Burgmuller, Tchaikovsky, Minkus, Paulli, Hertel, & Asafiev by Boris Spassov. In terms of popularity, La Fille Mal Gardee: Pas de (arr. March): Act II: Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Fille Mal Gardee: Pas de (arr. March): Act II: Adagio by March, Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
アルミードの館 | Alexander Tcherepnin, Moscow Symphony Orchestra, Henry Shek | E Minor | 1 | 9A | 147 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O 14: III. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Ray Chen, Daniel Harding, Swedish Radio Symphony Orchestra | E Major | 2 | 12B | 85 BPM | ||
Thespis: No. 3 Valse | Arthur Sullivan, RTE Concert Orchestra, Andrew Penny | G Major | 0 | 9B | 87 BPM | ||
Le carnaval des animaux, R. 125: V. L'Eléphant | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | E Major | 0 | 12B | 60 BPM | ||
The Sleeping Beauty, Act I, Op. 66: No. 6, Waltz | State Academic Symphony Orchestra of the USSR, Yevgeny Svetlanov | B♭ Major | 2 | 6B | 103 BPM | ||
Chopin / Arr. Douglas: Les sylphides: Waltz, Op. 64 No. 2 | Frédéric Chopin, Philharmonia Orchestra, Robert Irving | D♭ Minor | 1 | 12A | 74 BPM | ||
La fille mal gardée / Act 1: 1. Intro 2. Dance 3. Lise And The Ribbon | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | D Major | 1 | 10B | 126 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): IV. Polka | Lev Atovmyan, Dmitri Shostakovich, Vancouver Symphony Orchestra, Bramwell Tovey | C Major | 2 | 8B | 114 BPM | ||
Ancient Airs And Dances, Suite No.3, P. 172: 3. Siciliana | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | C Minor | 2 | 5A | 109 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM |
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