Felix Mendelssohn, Ray Chen, Daniel Harding, Swedish Radio Symphony Orchestra's 'Violin Concerto in E Minor, Op. 64, MWV O 14: III. Allegretto non troppo - Allegro molto vivace' came out on January 13, 2012. Since Violin Concerto in E Minor, Op. 64, MWV O 14: III. Allegretto non troppo - Allegro molto vivace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Tchaikovsky & Mendelssohn: Violin Concertos". In this album, this song's track order is #6. Violin Concerto in E Minor, Op. 64, MWV O 14: III. Allegretto non troppo - Allegro molto vivace is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto in E Minor, Op. 64, MWV O 14: III. Allegretto non troppo - Allegro molto vivace by Felix Mendelssohn, Ray Chen, Daniel Harding, Swedish Radio Symphony Orchestra having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": III. Scherzo. Allegro molto | Franz Schubert, Jerusalem Quartet | A Major | 1 | 11B | 139 BPM | ||
Variations on "God Save The King" for Solo Violin, Op. 9 | Niccolò Paganini, Roman Kim | G Major | 2 | 9B | 99 BPM | ||
Concerto for Bassoon, Strings & Continuo in B-Flat Major, RV. 501, "La Notte": I. Largo – Andante molto | Antonio Vivaldi, Peter Whelan, La Serenissima | B♭ Major | 1 | 6B | 114 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Sonata for Violin Solo No. 2 in A Minor, BWV 1003: 3. Andante | Johann Sebastian Bach, Hilary Hahn | C Major | 1 | 8B | 100 BPM | ||
Cello Concerto No.1, Op.107: 1. Allegretto | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | G Minor | 2 | 6A | 126 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM | ||
Shostakovich: Violin Concerto No. 1 in A Minor, Op. 77: IV. Burlesque. Allegro con brio - Presto | Dmitri Shostakovich, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | E♭ Major | 7 | 5B | 160 BPM |
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