"Valses nobles et sentimentales, M.61: 5. Presque lent - dans un sentiment intime" by Maurice Ravel, Boston Symphony Orchestra, Seiji Ozawa was released on January 1, 2000. With Valses nobles et sentimentales, M.61: 5. Presque lent - dans un sentiment intime being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Ravel: Alborada del Gracioso; La Valse; Rhapsodie Espagnole etc.". In this album, this song's track order is #13. Based on our statistics, Valses nobles et sentimentales, M.61: 5. Presque lent - dans un sentiment intime's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Valses nobles et sentimentales, M.61: 5. Presque lent - dans un sentiment intime by Maurice Ravel, Boston Symphony Orchestra, Seiji Ozawa having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Medea Suite, Op. 23: III. The Young Princess. Jason | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | D♭ Major | 0 | 3B | 111 BPM | ||
Capriccio Espagnol: Variazioni | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | F Major | 1 | 7B | 81 BPM | ||
Ancient Airs And Dances, Suite No.3, P. 172: 3. Siciliana | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | C Minor | 2 | 5A | 109 BPM | ||
3 fantaisies ou caprices, Op. 16: Scherzo In E Minor | Felix Mendelssohn, Bertrand Chamayou | B Major | 2 | 1B | 97 BPM | ||
Piano Concerto No. 5 in G Major, Op. 55: IV. Larghetto | Sergei Prokofiev, Francesco Tristano, Russian National Orchestra, Mikhail Pletnev | E♭ Major | 0 | 5B | 64 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 5th Movement: Sehr langsam und gedehnt ("der grosse Appell") | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | D♭ Minor | 0 | 12A | 67 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: Tempo primo (H) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | A Minor | 1 | 8A | 90 BPM | ||
Lyric Suite, Op. 54: III. Notturno (Nocturne) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | C Major | 0 | 8B | 127 BPM | ||
Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM | ||
Piano Sonata No. 3 In C Major, Op. 2, No. 3: 2. Adagio | Ludwig van Beethoven, Daniel Barenboim | E Major | 0 | 12B | 87 BPM |
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