"Piano Concerto No. 5 in G Major, Op. 55: IV. Larghetto" by Sergei Prokofiev, Francesco Tristano, Russian National Orchestra, Mikhail Pletnev was released on January 1, 2006. Since Piano Concerto No. 5 in G Major, Op. 55: IV. Larghetto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Ravel: Piano Concerto in G Major / Prokofiev: Piano Concerto No. 5 / Schlime: 3 Improvisations". In this album, this song's track order is #7. Piano Concerto No. 5 in G Major, Op. 55: IV. Larghetto is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 5 in G Major, Op. 55: IV. Larghetto by Sergei Prokofiev, Francesco Tristano, Russian National Orchestra, Mikhail Pletnev having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in E-Flat Major, Op. 31: III. Ausserst ruhig, versonnen, schwarmerisch | Hans Pfitzner, Tzimon Barto, Staatskapelle Dresden, Christian Thielemann | A♭ Minor | 0 | 1A | 64 BPM | ||
Symphony No.2 in B minor: 1. Allegro | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | G Major | 2 | 9B | 133 BPM | ||
Symphony No.1 in D minor, Op.13: 1. Grave - Allegro ma non troppo | Sergei Rachmaninoff, Russian National Orchestra, Mikhail Pletnev | B♭ Major | 0 | 6B | 69 BPM | ||
Morceaux de fantaisie, Op. 3: 5 Morceaux de fantasie, Op. 3: No. 2. Prelude in C-Sharp Minor | Sergei Rachmaninoff, Eldar Nebolsin | A Major | 1 | 11B | 91 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Prokofiev: Romeo and Juliet, Op. 64, Act 1, Scene 1: Introduction | Sergei Prokofiev, André Previn, London Symphony Orchestra | B Major | 0 | 1B | 105 BPM | ||
Symphonie fantastique, Op. 14: Symphonie fantastique, Op. 14: V. Songe d'une nuit de sabbat | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | G Minor | 2 | 6A | 117 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Gayaneh, Ballet Suite: Gayaneh's Adagio | Aram Khachaturian, Bolshoi Theatre Orchestra, Yevgeny Svetlanov | A Major | 1 | 11B | 105 BPM | ||
Symphony No. 8 in C Minor, Op. 65: III. Allegro non troppo | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | F Major | 5 | 7B | 167 BPM |
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