On June 1, 2018, the song "Cello Suite No.1 in G Major, BWV 1007: I. Prelude - Arr. for Solo Guitar" was released by Johann Sebastian Bach, Milan Zelenka. The duration of Cello Suite No.1 in G Major, BWV 1007: I. Prelude - Arr. for Solo Guitar is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Cello Suite No.1 in G Major, BWV 1007: I. Prelude - Arr. for Solo Guitar's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 12 in Bach: Guitar Recital by Johann Sebastian Bach, Milan Zelenka. Going off of the ISRC code of this track, we detected that the origin of this track is from Czechia. Based on our statistics, Cello Suite No.1 in G Major, BWV 1007: I. Prelude - Arr. for Solo Guitar's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Cello Suite No.1 in G Major, BWV 1007: I. Prelude - Arr. for Solo Guitar by Johann Sebastian Bach, Milan Zelenka is Vivace (lively and fast), since this song has a tempo of 157 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trousse-chemise | Roland Dyens | E Minor | 0 | 9A | 171 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Bach: Prelude in C Minor, BWV 999 (Performed in D Minor) | Johann Sebastian Bach, Turibio Santos | G Minor | 2 | 6A | 80 BPM | ||
Hora libre (Free Hour) | Victor Villadangos | G Major | 1 | 9B | 98 BPM | ||
Nocturne No. 2, Op. 9 | Alí Arango, Frédéric Chopin | B♭ Major | 0 | 6B | 124 BPM | ||
Ständchen, D. 889 (Arr. for Guitar) | Franz Schubert, Uros Baric | A Major | 0 | 11B | 115 BPM | ||
24 Progressive Lessons, Op. 31: No. 6, Andante | Fernando Sor, Enea Leone | C Major | 1 | 8B | 134 BPM | ||
Guitar Quintet No. 4 in D Major, G. 448 (arr. J. Sparks): IV. Introduction - | Luigi Boccherini, Jeremy Sparks, Los Angeles Guitar Quartet | D Major | 0 | 10B | 114 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Largo | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | C Major | 3 | 8B | 103 BPM |
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