"Guitar Quintet No. 4 in D Major, G. 448 (arr. J. Sparks): IV. Introduction -" by Luigi Boccherini, Jeremy Sparks, Los Angeles Guitar Quartet was released on January 1, 1993. With Guitar Quintet No. 4 in D Major, G. 448 (arr. J. Sparks): IV. Introduction - being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 22 in Boccherini, L.: Guitar Quintet No. 4 / Falla, M.: El Amor Brujo / Rimsky-Korsakov, N.: Capriccio Espagnol (Evening in Granada) by William Kanengiser, Los Angeles Guitar Quartet. In terms of popularity, Guitar Quintet No. 4 in D Major, G. 448 (arr. J. Sparks): IV. Introduction - is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Guitar Quintet No. 4 in D Major, G. 448 (arr. J. Sparks): IV. Introduction - by Luigi Boccherini, Jeremy Sparks, Los Angeles Guitar Quartet is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alfonsina y el mar (Arr. R. Dyens for Guitar) | Ariel Ramírez, Raphaël Feuillâtre | E Minor | 0 | 9A | 78 BPM | ||
Castillos de Espana II: No. 7. Montemayor | Federico Moreno Torroba, Ana Vidovic | A Minor | 0 | 8A | 130 BPM | ||
Waltz Opus 8 No. 3 | Berta Rojas | D Minor | 1 | 7A | 114 BPM | ||
Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Prelude No. 7 in C-Sharp Minor | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | B Minor | 3 | 10A | 122 BPM | ||
Opals: I. Black Opal | Phillip Houghton, Los Angeles Guitar Quartet | G Major | 2 | 9B | 107 BPM | ||
Romance de Abindarraéz y Jarifa | Diego Pisador, Los Angeles Guitar Quartet | G Major | 1 | 9B | 126 BPM | ||
Suite del recuerdo: Chacarera | Jose Luis Merlin, Jason Vieaux | E Minor | 2 | 9A | 113 BPM | ||
Rafaga | Joaquín Turina, Sebastien Llinares | A Major | 3 | 11B | 104 BPM | ||
3 Piezas Rioplatenses: Don Julian | Maximo Diego Pujol, Victor Villadangos | C Major | 1 | 8B | 150 BPM | ||
13 Catalan Folksongs: La pastoreta | Miguel Llobet Solés, Lorenzo Micheli | D Major | 2 | 10B | 135 BPM |
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