Fernando Sor, Enea Leone's '24 Progressive Lessons, Op. 31: No. 6, Andante' came out on August 8, 2014. With 24 Progressive Lessons, Op. 31: No. 6, Andante being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 121 in the song's album "Sor: Complete Studies for Guitar". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, 24 Progressive Lessons, Op. 31: No. 6, Andante's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 24 Progressive Lessons, Op. 31: No. 6, Andante by Fernando Sor, Enea Leone having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elegia por la muerte de un tanguero (Elegy for the Death of a Tango Player): II. Melancolia | Maximo Diego Pujol, Ricardo Cobo | D Minor | 0 | 7A | 77 BPM | ||
Prelude No. 1 | Heitor Villa-Lobos, Andrés Madariaga | D Major | 3 | 10B | 92 BPM | ||
Carcassi Op.60 N.3 Andantino | Matteo Carcassi, Lucio Matarazzo | A Major | 2 | 11B | 118 BPM | ||
Promessa - Waltz (Paschoito) | Dilermando Reis, Ricardo Cobo | E Major | 0 | 12B | 127 BPM | ||
36 Caprices, Op. 20: No. 4, Allegretto | Luigi Legnani, Lucio Matarazzo | E Major | 4 | 12B | 81 BPM | ||
Fantasia No. 7, Op. 30: Variation 2 | Fernando Sor, Timo Korhonen | E Minor | 0 | 9A | 145 BPM | ||
Keyboard Sonata in D Major, K.178/L.162/P.392 (arr. Kyuhee Park for guitar) | Domenico Scarlatti, Kyuhee Park | A Major | 1 | 11B | 119 BPM | ||
Suite del Plata, No. 1: Tango | Maximo Diego Pujol, Victor Villadangos | C Major | 0 | 8B | 80 BPM | ||
5 Preludios: No. 5, Candombe en Mi | Maximo Diego Pujol, Jason Vieaux | E Minor | 1 | 9A | 123 BPM | ||
Sonata in a Major, K. 322 | Domenico Scarlatti, Scott Tennant | A Major | 2 | 11B | 111 BPM |
Section: 0.44376492500305176
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