"Saxophone Concerto, Op. 14: I. Allegro molto moderato" by Christer Johnsson, Swedish Radio Symphony Orchestra, Leif Segerstam was released on January 1, 1995. Since Saxophone Concerto, Op. 14: I. Allegro molto moderato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Various Artists, Leif Segerstam, Jan-Olav Wedin's "Larsson: Saxophone Concerto / Divertimento No. 2 / Horn Concertino / Quattro Tempi" album is number 1 out of 15. On top of that, Sweden appears to be the country where this track was created. Saxophone Concerto, Op. 14: I. Allegro molto moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Saxophone Concerto, Op. 14: I. Allegro molto moderato by Christer Johnsson, Swedish Radio Symphony Orchestra, Leif Segerstam to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade for Clarinet, Violin and Cello, Op. 93: III. Intermezzo. Andantino | Hans Gál, Kilian Herold, Florian Donderer, Tanja Tetzlaff | F♯ Minor | 0 | 11A | 99 BPM | ||
Tristan und Isolde, WWV 90: VIII, Ankunft an der Burg - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
Flute & Harp Concerto in C Major, K. 299: II. Andantino | Wolfgang Amadeus Mozart, Alberto Navarra, Claudia Lucia Lamanna, Odense Symphony Orchestra, Holly Hyun Choe | C Minor | 3 | 5A | 76 BPM | ||
Schubert: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": IV. Presto | Franz Schubert, Cherubini-Quartett | C Major | 1 | 8B | 110 BPM | ||
Concerto For Violin And Percussion: Buenos Aires, Tango | Prague Chamber Orchestra, Andre Arpino, Jean-Pierre Wallez | D Minor | 1 | 7A | 95 BPM | ||
Piano Concerto No. 12 in A Major, K. 414: I. Allegro | Wolfgang Amadeus Mozart, Ben Kim, Concertgebouw Chamber Orchestra | C Major | 1 | 8B | 97 BPM | ||
Don Quixote, Op. 35 (Fantastic Variations on a Theme of Knightly Character): Theme: Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Leonard Slatkin, János Starker, Andreas Röhn, Oskar Lysy | C Major | 0 | 8B | 80 BPM | ||
Russian Romance | Sergei Rachmaninoff, Klára Würtz, Ukraine National Symphony Orchestra, Vladimir Sirenko | F Major | 0 | 7B | 66 BPM | ||
Grande Sonata in D Major, Op. 2: IV. Allegro (Recomposed for Sollo Flute by Luca Astolfoni Fossi) | Gaspard Fritz, Claudio Ferrarini | C Major | 1 | 8B | 92 BPM | ||
Plie (Piacer D'amor) [feat. Joyce Hammann] | Steven Mitchell, Joyce Hammann | E Major | 1 | 12B | 80 BPM |
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