Prague Chamber Orchestra, Andre Arpino, Jean-Pierre Wallez made "Concerto For Violin And Percussion: Buenos Aires, Tango" available on October 23, 2007. With this song being about 5 minutes long, at 4:53, "Concerto For Violin And Percussion: Buenos Aires, Tango" by Prague Chamber Orchestra, Andre Arpino, Jean-Pierre Wallez is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Jacques Loussier Trio's "Jacques Loussier Plays Bach: Encore!" album is number 16 out of 21. On top of that, United States appears to be the country where this track was created. In terms of popularity, Concerto For Violin And Percussion: Buenos Aires, Tango is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Concerto For Violin And Percussion: Buenos Aires, Tango by Prague Chamber Orchestra, Andre Arpino, Jean-Pierre Wallez to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abdelazer, Z.570: 2. Rondeau | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | D♭ Minor | 1 | 12A | 97 BPM | ||
Liebesleid | Fritz Kreisler, Joshua Bell, Paul Coker | A Major | 1 | 11B | 74 BPM | ||
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
The 4 Seasons: Violin Concerto in G minor, Op. 8, No. 2, RV 315, "L'estate" (Summer): III. Presto | Karoly Botvay | G Major | 3 | 9B | 137 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
モーツァルト:交響曲 二長調 K.81(73l);第1楽章 アレグロ | ゲルト・アルブレヒト, Prague Chamber Orchestra | A Major | 3 | 11B | 157 BPM | ||
Concerto for 2 Horns in E-Flat Major, TWV 52:Es1: I. Maestoso | Georg Philipp Telemann, Prague Chamber Orchestra, Zdeněk Košler, Bedřich Tylšar, Zdeněk Tylšar, Jiří Ptáčník, Jirî Novák, Václav Stoupa, František Xaver Thuri | E♭ Major | 1 | 5B | 113 BPM | ||
Die Fledermaus: Overture | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 109 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Jenő Jandó | D♭ Minor | 0 | 12A | 163 BPM |
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