"Death in the Forest op.23 (1927)" by Kurt Weill, Michael Rippon, London Sinfonietta, David Atherton was released on January 1, 1976. Since Death in the Forest op.23 (1927) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Weill: Kleine Dreigroschenmusik; Mahagonny Songspiel; Happy End; Berliner Requiem; Violin Concerto by Kurt Weill, London Sinfonietta, David Atherton. The song's track number on the album is #22 out of 42 tracks. Death in the Forest op.23 (1927) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Death in the Forest op.23 (1927) by Kurt Weill, Michael Rippon, London Sinfonietta, David Atherton has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Death in the Forest op.23 (1927) being at 83 BPM, the half-time would be 42 BPM with a double-time of 166 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schwanengesang, D. 957: Ständchen "Leise flehen meine Lieder" | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | B♭ Major | 1 | 6B | 113 BPM | ||
Die Dreigroschenoper: Zweites Dreigroschenfinale | Kurt Weill, Ensemble Modern, H.K. Gruber, Max Raabe, Nina Hagen | G Minor | 2 | 6A | 76 BPM | ||
Falla: 7 Canciones populares españolas: No. 4, Jota (Transcr. for Trumpet and Piano) | Manuel de Falla, Tine Thing Helseth, Kathryn Stott | E Major | 1 | 12B | 128 BPM | ||
Flow, my tears | John Dowland, Andreas Martin, Andreas Scholl | F♯ Minor | 1 | 11A | 74 BPM | ||
Fauré: 3 Songs, Op. 7: No. 1, Après un rêve | Gabriel Fauré, Sabine Devieilhe, Alexandre Tharaud | G Minor | 1 | 6A | 166 BPM | ||
Delibes: Lakmé, Act II: "Par les dieux inspirés" - Air des clochettes. "Où va la jeune hindoue" (Lakmé, Nilakantha, Chorus) | Léo Delibes, Natalie Dessay, Choeur Du Capitole De Toulouse, José van Dam, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 1 | 11B | 124 BPM | ||
Adès: Les baricades mistérieuses | Thomas Adès, Composers Ensemble | B♭ Major | 0 | 6B | 132 BPM | ||
Die Dreigroschenoper: Akt II, Der Pferdestall ("Mackie muss fliehen und nimmt Abschied von Polly") | Kurt Weill, Erich Schellow, Wolfgang Neuss, Johanna von Koczian, Wilhelm Brückner-Rüggeberg | G Major | 0 | 9B | 112 BPM | ||
Le Bœuf sur le toit, Op. 58 | Darius Milhaud, Lucienne Renaudin Vary, Bill Elliott, BBC Concert Orchestra | F Major | 2 | 7B | 106 BPM | ||
Theodora: Aria - As With Rosy Steps The Morn | Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket | B Major | 0 | 1B | 68 BPM |
Section: 0.7552752494812012
End: 0.7601473331451416