Thomas Adès, Composers Ensemble's 'Adès: Les baricades mistérieuses' came out on February 24, 2004. The duration of Adès: Les baricades mistérieuses is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Adès: Les baricades mistérieuses's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 15 in America by Thomas Adès. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Adès: Les baricades mistérieuses's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adès: Les baricades mistérieuses by Thomas Adès, Composers Ensemble is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia & Fugue in A Minor, BWV 904: I. Fantasia | Johann Sebastian Bach, Víkingur Ólafsson | A Minor | 1 | 8A | 130 BPM | ||
Frozen River Flows | Dobrinka Tabakova, Roman Mints, Raimondas Sviackevičius, Donatas Bagurskas | E♭ Major | 0 | 5B | 135 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged By Wilhelm Kempff: La Plainte d'Orphée (Ballet) | Christoph Willibald Gluck, Wilhelm Kempff | D Minor | 0 | 7A | 165 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
Officium breve in memoriam Andreae Szervánszky, Op. 28: XV. Arioso interrotto (di Endre Szervánsky). Larghetto | György Kurtág, Navarra String Quartet | C Major | 0 | 8B | 62 BPM | ||
Märchentänze (Orchestral Version): I. — | Thomas Adès, Pekka Kuusisto, Finnish Radio Symphony Orchestra, Nicholas Collon | D♭ Minor | 0 | 12A | 62 BPM | ||
Etudes, Book 1: No. 5, Arc-en-ciel | György Ligeti, Khatia Buniatishvili | A Major | 0 | 11B | 130 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
In Seven Days: i. Chaos – Light – Dark | Thomas Adès, Nicolas Hodges, London Sinfonietta | F♯ Major | 1 | 2B | 116 BPM | ||
White Lily (from 3 Hungarian Folksongs from Csík, Sz. 35a/3) - Grand Piano | Béla Bartók, Víkingur Ólafsson | D Minor | 0 | 7A | 77 BPM |
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