Marc-Antoine Charpentier, Jordi Savall, Le Concert Des Nations made "Concert pour quatre parties de violes, H. 545: V. Gigue française" available on August 25, 2014. The duration of Concert pour quatre parties de violes, H. 545: V. Gigue française is about 3 minutes long, at 3:18. Based on our data, "Concert pour quatre parties de violes, H. 545: V. Gigue française" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 33 out of 46 in Charpentier à la chapelle royale de Versailles by Marc-Antoine Charpentier, Jordi Savall. In terms of popularity, Concert pour quatre parties de violes, H. 545: V. Gigue française is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Concert pour quatre parties de violes, H. 545: V. Gigue française by Marc-Antoine Charpentier, Jordi Savall, Le Concert Des Nations is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trumpet Concerto in D Major, G. 28: I. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A♭ Major | 2 | 4B | 95 BPM | ||
Mondonville : In exitu Israel : "Mare vivit" | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | D♭ Major | 3 | 3B | 62 BPM | ||
Flute Sonata in E Minor, Op. 5, No. 8: II. Allemanda: Allegro | Arcangelo Corelli, Barthold Kuijken, Wieland Kuijken, Robert Kohnen | D Minor | 2 | 7A | 128 BPM | ||
Médée, H. 491, Act IV: Prélude et récit. "Si tôt que je parais" | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, Cyrille Dubois, David Witczak | C Minor | 2 | 5A | 92 BPM | ||
Oboe Sonata No. 3: I. Adagio | Francesco Geminiani, Ensemble Barocco Sans Souci | E♭ Minor | 1 | 2A | 129 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
David et Jonathas, H. 490, Acte I Scène 3: Ciel ! quel triste combat en ces lieux me rappelle ? (David) | Marc-Antoine Charpentier, Clément Debieuvre, Les Temps Présents, Olivier Schneebeli, Dominique Serve | A♭ Major | 2 | 4B | 118 BPM | ||
Missa Dolorosa: IV. Sanctus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Psyche, Act I: Overture | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
David et Jonathas, H. 490, Acte IV Scène 3: A-t-on jamais souffert une plus rude peine ? (Jonathas, chœur) | Marc-Antoine Charpentier, Natacha Boucher, Les Pages du Centre de musique baroque de Versailles, Les Chantres du Centre de Musique baroque de Versailles, Les Temps Présents, Olivier Schneebeli, Dominique Serve | A♭ Major | 2 | 4B | 118 BPM |
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