Marc-Antoine Charpentier, Clément Debieuvre, Les Temps Présents, Olivier Schneebeli, Dominique Serve's 'David et Jonathas, H. 490, Acte I Scène 3: Ciel ! quel triste combat en ces lieux me rappelle ? (David)' came out on March 22, 2024. David et Jonathas, H. 490, Acte I Scène 3: Ciel ! quel triste combat en ces lieux me rappelle ? (David) is about six minutes long, preciously at 6:14, making this song fairly long compared to other songs. The song is number 15 out of 57 in Charpentier: David et Jonathas, H. 490 by Marc-Antoine Charpentier, Les Pages du Centre de musique baroque de Versailles, Les Chantres du Centre de Musique baroque de Versailles, Les Temps Présents, Olivier Schneebeli, Jean-François Novelli, Clément Debieuvre, David Witczak, Natacha Boucher, Edwin Crossley-Mercer, Jean-Francois Lombard. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, David et Jonathas, H. 490, Acte I Scène 3: Ciel ! quel triste combat en ces lieux me rappelle ? (David) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of David et Jonathas, H. 490, Acte I Scène 3: Ciel ! quel triste combat en ces lieux me rappelle ? (David) by Marc-Antoine Charpentier, Clément Debieuvre, Les Temps Présents, Olivier Schneebeli, Dominique Serve is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
Missa Tempore Quadragesimae, MH 553: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 0 | 11B | 77 BPM | ||
Sant'Agnese: Vaga rosa (Aria) | Bernardo Pasquini, Núria Rial | D♭ Minor | 0 | 12A | 77 BPM | ||
Magnificat en sol mineur, RV 610: I. Magnificat | Antonio Vivaldi, Jordi Savall, La Capella Reial De Catalunya, Le Concert Des Nations | D♭ Major | 3 | 3B | 114 BPM | ||
Psalm 109, H. 204, "Dixit Dominus": Dixit Dominus, H. 204 | Marc-Antoine Charpentier, Jane Archibald, James McLennan, David Nortman, Estaban Cambre, Aradia Ensemble, Kevin Mallon | B Major | 1 | 1B | 81 BPM | ||
Gloria in D, RV 589: II. Et in terra pax hominibus | Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury, Academy of Ancient Music | B♭ Minor | 2 | 3A | 130 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Major | 1 | 1B | 64 BPM | ||
La Descente d'Orphée aux Enfers, H. 488, Act II. L'Enfer Scène 3: "Le destin est contraire" | Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé, Nicolas Brooymans, Caroline Arnaud | C Major | 0 | 8B | 36 BPM | ||
Concerto primo in G Major: I. Andante - Allegro | Baldassare Galuppi, Ensemble StilModerno | G Major | 2 | 9B | 122 BPM | ||
Le Concert royal de la Nuit, Grand Ballet, Le Soleil: Les Planètes - Entrée du Roy représentant le Soleil levant - Entrée des Génies | Anonymous, Ensemble Correspondances, Sébastien Daucé | F♯ Minor | 1 | 11A | 62 BPM |
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