Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, Cyrille Dubois, David Witczak made "Médée, H. 491, Act IV: Prélude et récit. "Si tôt que je parais"" available on January 5, 2024. With Médée, H. 491, Act IV: Prélude et récit. "Si tôt que je parais" being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 120 in Charpentier: Médée by Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Médée, H. 491, Act IV: Prélude et récit. "Si tôt que je parais" is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Médée, H. 491, Act IV: Prélude et récit. "Si tôt que je parais" by Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, Cyrille Dubois, David Witczak is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM | ||
Trumpet Concerto in D Major, G. 28: I. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A♭ Major | 2 | 4B | 95 BPM | ||
Médée, H. 491, Act I: Trio et chœur. "Que d'épais bataillons" (I) | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, David Tricou, Fabien Hyon, Adrien Fournaison | G Minor | 3 | 6A | 64 BPM | ||
Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Messe de requiem: I. Requiem | André Campra, Philippe Herreweghe, Orchestre de La Chapelle Royale, Chœur de la Chapelle Royale, La Chapelle Royale | E♭ Major | 2 | 5B | 82 BPM | ||
Komm, Jesu, komm, BWV 229 | Johann Sebastian Bach, The Monteverdi Choir, John Eliot Gardiner | F♯ Minor | 1 | 11A | 131 BPM | ||
Salve Regina in C minor (1736): 4. Et Jesum | Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | A Major | 1 | 11B | 95 BPM | ||
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
Jauchzet Gott in allen Landen, BWV 51: Jauchzet Gott in allen Landen (Arie) | Johann Sebastian Bach, Núria Rial, Julia Schröder | B Major | 3 | 1B | 97 BPM | ||
Magnificat, H. 73 | Marc-Antoine Charpentier, Les Arts Florissants, William Christie, Dominique Visse, Michel Laplénie, Philippe Cantor | F♯ Major | 1 | 2B | 92 BPM |
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