Franz Joseph Haydn, Adolph Herseth, Chicago Symphony Orchestra, Claudio Abbado made "Trumpet Concerto In E Flat, Hob.VIIe:1: 3. Finale. Allegro" available on January 1, 2000. With this song being about 5 minutes long, at 4:42, "Trumpet Concerto In E Flat, Hob.VIIe:1: 3. Finale. Allegro" by Franz Joseph Haydn, Adolph Herseth, Chicago Symphony Orchestra, Claudio Abbado is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Franz Joseph Haydn, Berliner Philharmoniker, Herbert von Karajan's "Haydn: Symphonies; Cello Concertos" album is number 10 out of 22. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Trumpet Concerto In E Flat, Hob.VIIe:1: 3. Finale. Allegro's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Trumpet Concerto In E Flat, Hob.VIIe:1: 3. Finale. Allegro by Franz Joseph Haydn, Adolph Herseth, Chicago Symphony Orchestra, Claudio Abbado to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Schoenberg: Verklärte Nacht, Op. 4: III. A tempo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | B♭ Minor | 1 | 3A | 86 BPM | ||
Valse triste, Op. 44 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM | ||
Dvořák: Czech Suite in D Major, Op. 39, B. 93: II. Polka | Antonín Dvořák, Czech Philharmonic Orchestra, Libor Pešek | D Major | 0 | 10B | 87 BPM | ||
Grieg: Lyric Pieces, Book 1, Op. 12: II. Waltz | Edvard Grieg, Leif Ove Andsnes | E Minor | 0 | 9A | 152 BPM | ||
Charpentier: Te Deum, H. 146: I. Prélude (Arr. for Trumpet and Organ) | Marc-Antoine Charpentier, Maurice André, Jane Parker-Smith | D Major | 2 | 10B | 141 BPM | ||
Two Waltzes in A Major, Op. 39, No. 15 & Op. 52, No. 6 (Arr. Stephan Koncz) | Johannes Brahms, Andreas Ottensamer, Leonidas Kavakos, Christoph Koncz, Antoine Tamestit, Stephan Koncz, Odon Racz | D Major | 3 | 10B | 102 BPM | ||
Habanera | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 0 | 11B | 128 BPM | ||
La belle Hélène: Overture | Jacques Offenbach, Orchestre National de Lille, Darrell Ang | A Major | 2 | 11B | 82 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23: Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Van Cliburn, Kirill Kondrashin | B♭ Minor | 2 | 3A | 149 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM |
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