Marc-Antoine Charpentier, Maurice André, Jane Parker-Smith's 'Charpentier: Te Deum, H. 146: I. Prélude (Arr. for Trumpet and Organ)' came out on 1987. The duration of Charpentier: Te Deum, H. 146: I. Prélude (Arr. for Trumpet and Organ) is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Charpentier: Te Deum, H. 146: I. Prélude (Arr. for Trumpet and Organ)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Trumpet & Organ". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Charpentier: Te Deum, H. 146: I. Prélude (Arr. for Trumpet and Organ)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Charpentier: Te Deum, H. 146: I. Prélude (Arr. for Trumpet and Organ) by Marc-Antoine Charpentier, Maurice André, Jane Parker-Smith having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trumpet Concerto in D Major: Adagio | Carlo Tessarini, Maurice André, Orchestre de Chambre Jean-Françoise Paillard, Jean-Françoise Paillard | A Major | 3 | 11B | 79 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM | ||
Concerto Grosso in D Major, Op. 6 No. 4: II. Allegro | Arcangelo Corelli, Jordi Savall, Le Concert Des Nations | D♭ Major | 3 | 3B | 133 BPM | ||
Prélude pour le Magnificat à quatre voix, H. 533 | Marc-Antoine Charpentier, La Capella Reial De Catalunya, Jordi Savall, Montserrat Figueras, Maria Cristina Kiehr, Gérard Lesne, John Elwes, Josep Cabre, Le Concert Des Nations | D♭ Minor | 2 | 12A | 93 BPM | ||
Le carnaval de Venise | Jean-Baptiste Arban, Orchestre Jean Faustin, Jean Faustin, Maurice André | F Major | 4 | 7B | 118 BPM | ||
Trumpet Concerto in D Major: II. Adagio-Allegro | Maurice André | D Major | 3 | 10B | 93 BPM | ||
Dvořák: 7 Gipsy Melodies, Op. 55, B. 104: No. 4, Als die alte Mutter (Arr. for Trumpet and Orchestra) | Antonín Dvořák, Tine Thing Helseth, Eivind Aadland, Royal Liverpool Philharmonic Orchestra | D Major | 1 | 10B | 92 BPM | ||
Bist du bei mir, BWV 508 | Gottfried Heinrich Stölzel, Karina Gauvin, Luc Beauséjour | D Major | 1 | 10B | 66 BPM | ||
Suite in D Major: VIII. Gigue | Maurice André | D Major | 1 | 10B | 88 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM |
Section: 1.1005959510803223
End: 1.1052253246307373