Joseph Haydn, René Jacobs, Christian Immler, Kammerorchester Basel made "Stabat Mater: V. Pro peccatis suae gentis" available on March 17, 2023. The duration of Stabat Mater: V. Pro peccatis suae gentis is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Stabat Mater: V. Pro peccatis suae gentis's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Joseph Haydn, René Jacobs, Birgitte Christensen, Kristina Hammarström, Steve Davislim, Christian Immler, Kammerorchester Basel, Zürcher Sing-Akademie's "Haydn: Stabat Mater" album is number 5 out of 14. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Stabat Mater: V. Pro peccatis suae gentis is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Stabat Mater: V. Pro peccatis suae gentis by Joseph Haydn, René Jacobs, Christian Immler, Kammerorchester Basel to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
Mass No. 13 in B-Flat Major, Hob. X XII:13 "Schöpfungsmesse": Agnus Dei: Agnus Dei | Joseph Haydn, Nacole Palmer, Nina Faia, Kirsten Sollek, Daniel Mutlu, Matthew Hensrud, Andrew Nolen, Trinity Church Choir, New York, Rebel Baroque Orchestra, Jane Glover | B♭ Major | 3 | 6B | 81 BPM | ||
Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino | Anthony Camden, City of London Sinfonia, Nicholas Ward | C Minor | 0 | 5A | 48 BPM | ||
Violin Concerto in C-Sharp Minor, Op. 2: II. Adagio | Franz Berwald, Tobias Ringborg, Swedish Chamber Orchestra, Niklas Willen | E Major | 1 | 12B | 79 BPM | ||
Piano Concerto in A Minor, Op. 54: II. Intermezzo (Andantino grazioso) | Robert Schumann, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 70 BPM | ||
Overture in D Major, P. 228: II. Andantino | Franz Danzi, Munich Chamber Orchestra, Howard Griffiths | F Major | 0 | 7B | 131 BPM | ||
Fantasia in C Major, Hob. XVII: 4 | Joseph Haydn, Jean-Efflam Bavouzet | C Major | 2 | 8B | 134 BPM | ||
Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | G Minor | 3 | 6A | 115 BPM | ||
Oboe Concerto in C Major: II. Allegro (Arr. by Benjamin) | Domenico Cimarosa, Heinz Holliger, Bamberg Symphony, Peter Maag | G Major | 2 | 9B | 108 BPM | ||
Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 1 | 7A | 61 BPM |
Section: 0.6697685718536377
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