"Mass No. 13 in B-Flat Major, Hob. X XII:13 "Schöpfungsmesse": Agnus Dei: Agnus Dei" by Joseph Haydn, Nacole Palmer, Nina Faia, Kirsten Sollek, Daniel Mutlu, Matthew Hensrud, Andrew Nolen, Trinity Church Choir, New York, Rebel Baroque Orchestra, Jane Glover was released on September 29, 2009. The duration of Mass No. 13 in B-Flat Major, Hob. X XII:13 "Schöpfungsmesse": Agnus Dei: Agnus Dei is about 3 minutes long, at 3:29. Based on our data, "Mass No. 13 in B-Flat Major, Hob. X XII:13 "Schöpfungsmesse": Agnus Dei: Agnus Dei" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Joseph Haydn, Owen Burdick, Rebel Baroque Orchestra's "Haydn, J.: Masses (Complete) (Trinity Choir, Rebel Baroque Orchestra, Burdick, Glover) (8 Cd Box Set)" album is number 17 out of 157. On top of that, Hong Kong appears to be the country where this track was created. Mass No. 13 in B-Flat Major, Hob. X XII:13 "Schöpfungsmesse": Agnus Dei: Agnus Dei is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass No. 13 in B-Flat Major, Hob. X XII:13 "Schöpfungsmesse": Agnus Dei: Agnus Dei by Joseph Haydn, Nacole Palmer, Nina Faia, Kirsten Sollek, Daniel Mutlu, Matthew Hensrud, Andrew Nolen, Trinity Church Choir, New York, Rebel Baroque Orchestra, Jane Glover to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Christ Our Passover | Richard Wayne Dirksen, James Hamlin, Robert Summers, Richard Clark, Steve Shulman, Daniel Haskins, Catherine Craig Burrell, Trinity Church Choir, New York, James A. Simms | G Major | 1 | 9B | 83 BPM | ||
12 Violin Concertos, Op. 8 "Il cimento dell'armonia e dell'inventione" / Concerto No. 3 in F Major for solo violin, RV293 "L'Autunno": 2. Adagio molto | Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Maarten Jansen, Stacey Watton, Liz Kenny, Jan Jansen | B Minor | 0 | 10A | 124 BPM | ||
The Creation, Hob.XXI,2: Pt. 1, Now Vanish Before the Holy Beams | Joseph Haydn, Handel & Haydn Society, Jeremy Ovenden, Harry Christophers | F Major | 2 | 7B | 101 BPM | ||
Sinfonia in E major, RV 132: III. Allegro | Karoly Botvay | E Major | 1 | 12B | 187 BPM | ||
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Major | 1 | 2B | 172 BPM | ||
Concerto for Bassoon, Strings & Continuo in B-Flat Major, RV. 501, "La Notte": IV. Allegro: Sorge l’Aurora | Antonio Vivaldi, Peter Whelan, La Serenissima | F Major | 2 | 7B | 118 BPM | ||
Vivaldi: Flute Concerto in D Major, Op. 10 No. 3, RV 428 "Il gardellino": III. Allegro | Antonio Vivaldi, Emmanuel Pahud, Australian Chamber Orchestra, Richard Tognetti | A Major | 1 | 11B | 137 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: III. Harlequinade | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 135 BPM | ||
Te Deum In C Major - Hob. XXIIIc:2: "Aeterna fac cum Sanctis tuis -...Allegro moderato "Aet | Franz Joseph Haydn, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir | C Major | 3 | 8B | 108 BPM | ||
Messiah, HWV 56: Part 2 Scene 1: No. 26 Chorus | George Frideric Handel, Trinity Church Choir, New York, Trinity Church Orchestra, Owen Burdick | E Minor | 3 | 9A | 131 BPM |
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