Antonio Vivaldi, Peter Whelan, La Serenissima made "Concerto for Bassoon, Strings & Continuo in B-Flat Major, RV. 501, "La Notte": IV. Allegro: Sorge l’Aurora" available on September 4, 2015. The duration of Concerto for Bassoon, Strings & Continuo in B-Flat Major, RV. 501, "La Notte": IV. Allegro: Sorge l’Aurora is about 3 minutes long, at 3:00. Based on our data, "Concerto for Bassoon, Strings & Continuo in B-Flat Major, RV. 501, "La Notte": IV. Allegro: Sorge l’Aurora" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 25 in the song's album "The Four Seasons & Concertos for Bassoon and Violin "in tromba marina"". In this album, this song's track order is #16. In terms of popularity, Concerto for Bassoon, Strings & Continuo in B-Flat Major, RV. 501, "La Notte": IV. Allegro: Sorge l’Aurora is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Concerto for Bassoon, Strings & Continuo in B-Flat Major, RV. 501, "La Notte": IV. Allegro: Sorge l’Aurora by Antonio Vivaldi, Peter Whelan, La Serenissima having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quartet in G major / Sol majeur / G-dur: I. Largo - Allegro - Largo | Georg Philipp Telemann, Petra Mullejans, Gottfried Von Der Goltz, Freiburger Barockorchester | F♯ Major | 1 | 2B | 123 BPM | ||
In exitu Israel (Psalm 113), R.604 | Antonio Vivaldi, John Alldis Choir, Adrian Beers, John Constable, English Chamber Orchestra, Vittorio Negri | C Major | 2 | 8B | 99 BPM | ||
Concerto for Viola da Gamba and Strings in A major: III. Largo | Johann Pfeiffer, Hille Perl | F Minor | 0 | 4A | 106 BPM | ||
Concerto for flute, violin, bassoon & continuo in F, RV 100: III. Allegro | Antonio Vivaldi, La Serenissima, Adrian Chandler | F Major | 2 | 7B | 143 BPM | ||
Concerto for Bassoon, Strings & Continuo in B flat Major, RV 501 "La Notte": II. Presto | Antonio Vivaldi, Peter Whelan, La Serenissima, Adrian Chandler | F Major | 3 | 7B | 100 BPM | ||
Duport : Duo for 2 cellos in G major, Op.1/3 : Adagio-Presto | Jean-Louis Duport, Frédéric Lodéon, Xavier Gagnepain | G Major | 1 | 9B | 87 BPM | ||
Orlando Furioso, RV 728, Act III, Scene 8: Recitativo | Antonio Vivaldi, Jean-Christophe Spinosi, Ensemble Matheus, Veronica Cangemi, Blandine Staskiewicz, Philippe Jaroussky | B Major | 0 | 1B | 135 BPM | ||
Water Music, Suite No. 2, HWV 349: Water Music, Suite No. 2, HWV 349: XV. [Rigaudon 2] - XIV. [Rigaudon 1] | George Frideric Handel, Akademie für Alte Musik Berlin | E Major | 1 | 12B | 120 BPM | ||
Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo (Allegro) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | A Major | 1 | 11B | 138 BPM | ||
Concerto In B Flat Major For 2 Violins, Strings & Continuo, RV 524: 3. Allegro | Antonio Vivaldi, Viktoria Mullova, Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | B♭ Major | 2 | 6B | 97 BPM |
Section: 0.8396258354187012
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