"Violin Concerto in C-Sharp Minor, Op. 2: II. Adagio" by Franz Berwald, Tobias Ringborg, Swedish Chamber Orchestra, Niklas Willen was released on October 12, 1999. The duration of Violin Concerto in C-Sharp Minor, Op. 2: II. Adagio is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Violin Concerto in C-Sharp Minor, Op. 2: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 8 in the song's album "Swedish Romantic Violin Concertos". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Hong Kong. Violin Concerto in C-Sharp Minor, Op. 2: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto in C-Sharp Minor, Op. 2: II. Adagio by Franz Berwald, Tobias Ringborg, Swedish Chamber Orchestra, Niklas Willen having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 4 Violins In D Major, Op. 3, No. 1, RV 549: III. Allegro | Antonio Vivaldi, Capella Istropolitana | D Minor | 3 | 7A | 126 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: III. Allegro maestoso I | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | E♭ Major | 2 | 5B | 127 BPM | ||
Flute Concerto No. 2 in D Major, K. 314: II. Andante ma non troppo | Wolfgang Amadeus Mozart, Patrick Gallois, Roderick Shaw, Swedish Chamber Orchestra, Katarina Andreasson | G Major | 0 | 9B | 67 BPM | ||
Flute Concerto No. 1 in G Major, K. 313: III. Rondo: Tempo di menuetto | Wolfgang Amadeus Mozart, Patrick Gallois, Roderick Shaw, Swedish Chamber Orchestra, Katarina Andreasson | G Major | 1 | 9B | 131 BPM | ||
Double Bass Concerto, Op. 3: III. Allegro | Serge Koussevitzky, Entcho Radoukanov, Swedish Chamber Orchestra, Ronald Zollman | F♯ Minor | 0 | 11A | 122 BPM | ||
Suite for Cello and Orchestra, Op. 16: IV. Romance (molto adagio) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | E Major | 0 | 12B | 78 BPM | ||
Marchenbilder (Fairy Tales), Op. 113: III. Rasch | Robert Schumann, Tabea Zimmermann, Hartmut Höll | F Major | 1 | 7B | 82 BPM | ||
Concerto in E-Flat Major, Op. 1: II. Adagio | Bernhard Henrik Crusell, Michael Collins, Swedish Chamber Orchestra | A♭ Major | 0 | 4B | 133 BPM | ||
Alcazaba I | Christian Lindberg, Pacho Flores, Swedish Chamber Orchestra | F Minor | 0 | 4A | 90 BPM | ||
Konzert für zwei Flöten, Streicher und Cembalo, RV 533 | Musici di San Marco, Alberto Lizzio | F♯ Major | 1 | 2B | 115 BPM |
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