Robin Hendrix's 'Little Bo-peep' came out on November 7, 2001. With Little Bo-peep being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 46 in the song's album "Nursery Rhymes & Nursery Songs". In this album, this song's track order is #40. Furthermore, we believe that the track originated from United States. In terms of popularity, Little Bo-peep is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Little Bo-peep by Robin Hendrix having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tom Bowling and Other Song Arrangements: Greensleeves | Benjamin Britten, Philip Langridge, Graham Johnson | B♭ Minor | 7 | 3A | 133 BPM | ||
Wesendonck Lieder, WWV 91: Stehe still | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Major | 1 | 8B | 88 BPM | ||
Rinaldo / Act 2: "Lascia ch'io pianga" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 92 BPM | ||
Irc 1: Shy One, IRC 1: Shy One | Rebecca Clarke, Sivan Goldman, Shira Shaked | F Major | 1 | 7B | 90 BPM | ||
Der singende Traum: "Du bist die Welt für mich" | Richard Tauber, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra | F Major | 2 | 7B | 87 BPM | ||
Tristia, Op.18: 2. La mort d'Ophélie. Ballade | Hector Berlioz, Cecilia Bartoli, Myung-Whun Chung | B♭ Major | 0 | 6B | 172 BPM | ||
Petite messe solennelle: XII. Credo. Crucifixus | Gioachino Rossini, Giulio Prandi, Sandrine Piau, Francesco Corti, Deniel Perer | D Minor | 3 | 7A | 101 BPM | ||
Orpheus with his Lute | Edward German, Ian Bostridge, Julius Drake | E♭ Major | 0 | 5B | 73 BPM | ||
Non vieni del tardar (from "Le Nozze di Figaro") | Original Soundtrack | F Major | 1 | 7B | 170 BPM | ||
Lieder (Duette), Op. 63: I. Ich wollt, meine Liebe ergösse sich | Felix Mendelssohn, Angelika Kirchschlager, Barbara Bonney | C Minor | 0 | 5A | 69 BPM |
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