Benjamin Britten, Philip Langridge, Graham Johnson made "Tom Bowling and Other Song Arrangements: Greensleeves" available on March 1, 2005. With Tom Bowling and Other Song Arrangements: Greensleeves being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 52 in Britten: Folk Song Arrangements (English Song, Vol. 10) by Benjamin Britten. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Tom Bowling and Other Song Arrangements: Greensleeves's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Tom Bowling and Other Song Arrangements: Greensleeves by Benjamin Britten, Philip Langridge, Graham Johnson is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Firebird Suite (1919 Version): VI. Lullaby | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | A♭ Minor | 0 | 1A | 170 BPM | ||
Symphony No.1 In C Minor, Op.68: 2. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM | ||
Smyth: The Wreckers: Overture | Ethel Smyth, Scottish National Orchestra/Sir Alexander Gibson | D Major | 1 | 10B | 132 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
Scheherazade: Sea Birds | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 46 BPM | ||
Appalachian Spring: II. Allegro | Aaron Copland, Leonard Bernstein, New York Philharmonic | F Major | 4 | 7B | 82 BPM | ||
Lachian Dances, JW VI/17: No. 2. Pozehnany (Blessed) | Leoš Janáček, WDR Sinfonieorchester Köln, Gerd Albrecht | F Major | 1 | 7B | 60 BPM | ||
3 Portraits From England Of Elizabeth: Poet | RTE Concert Orchestra, Ralph Vaughan Williams | A Minor | 0 | 8A | 87 BPM | ||
Das Lied von der Erde: Das Trinklied vom Jammer der Erde | Gustav Mahler, Michael Schade, Wiener Philharmoniker, Pierre Boulez | G Minor | 2 | 6A | 78 BPM | ||
Suite No. 1, P. 109: II. Gagliarda: Allegro Marcato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 1 | 10B | 90 BPM |
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