- BPM
- 73
- Key
- E♭ Major
- Camelot
- 5B
Orpheus with his Lute - Edward German, Ian Bostridge, Julius Drake Information
- Acousticness
- 98%
- Danceability
- 29%
- Energy
- 2%
- Instrumentalness
- 0%
- Liveness
- 10%
- Loudness
- 54%
- Speechiness
- 6%
- Valence
- 9%
- Popularity
- 4%
- Loudness
- -27.833 dB
Summary
"Orpheus with his Lute" by Edward German, Ian Bostridge, Julius Drake was released on October 1, 1999. The duration of Orpheus with his Lute is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Orpheus with his Lute's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "The English Songbook". In this album, this song's track order is #8. Orpheus with his Lute is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Orpheus with his Lute BPM
With Orpheus with his Lute by Edward German, Ian Bostridge, Julius Drake having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
Orpheus with his Lute Key
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Wood Music - Concerto pour quintette à vent et orchestre | Olivier Calmel, Scoring Orchestra, Aurélien Azan Zielinski, Mayu Sato-Brémaud, Annelise Clément, Baptiste Gibier, Cyril Normand, Frank Sibold | B Major | 0 | 1B | 67 BPM | |
 | Piano Concerto No. 2 in C Minor: IV. Allegro deciso, assai moderato | Emil von Sauer, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | E♭ Major | 1 | 5B | 103 BPM | |
 | The Night Of The Iguana: Maxine And Shannon Theme (Finale) | Benjamin Frankel, Queensland Symphony Orchestra, Werner Andreas Albert | A Major | 0 | 11B | 83 BPM | |
 | Soirees musicales, Op. 9: I. March | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | B♭ Major | 1 | 6B | 124 BPM | |
 | Happiness | Singapore Symphony Orchestra, Traditional | G Major | 0 | 9B | 165 BPM | |
 | Presto Paradigm | Selena Veles | E Minor | 0 | 9A | 114 BPM | |
 | Peer Gynt Suite No.2, Op.55: 2. Arabian Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 123 BPM | |
 | 12 Songs, Op. 21: VII. Zdes' Khorosho (Orchestral Version) | Sergei Rachmaninoff, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A Major | 0 | 11B | 76 BPM | |
 | The Men's Project: II. Meeting Madeleine | Milo Paulus | C Major | 2 | 8B | 136 BPM | |
 | Tom Jones: Act I: Sextet: The Barley Mow (Honour, Gregory, Peggy, Betty, Grizzle, Dobbin) | Edward German, Marianne Hellgren Staykov, Richard Morrison, Heather Shipp, Donald Maxwell, Simon Butteriss, Richard Suart, Gaynor Keeble, Giles Davies, Paul Carey Jones, Ashley Bremner, Catrine Kirkman, Rachel Harland, Elizabeth Menezes, Iestyn Morris, Timothy Ochala-Greenough, Rachel Chapman, Karen Wise, Annette Stein, National Festival Chorus, National Festival Orchestra, David Russell Hulme | D Minor | 0 | 7A | 70 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8305037021636963
End: 0.8359670639038086