"Tristia, Op.18: 2. La mort d'Ophélie. Ballade" by Hector Berlioz, Cecilia Bartoli, Myung-Whun Chung was released on January 1, 1996. Since Tristia, Op.18: 2. La mort d'Ophélie. Ballade is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 19 in Cecilia Bartoli - Chant d'Amour by Cecilia Bartoli, Myung-Whun Chung. The popularity of Tristia, Op.18: 2. La mort d'Ophélie. Ballade is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tristia, Op.18: 2. La mort d'Ophélie. Ballade by Hector Berlioz, Cecilia Bartoli, Myung-Whun Chung is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petrushka: Danse Russe | Igor Stravinsky, Robert Groslot, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | A Minor | 3 | 8A | 121 BPM | ||
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 3: Tambours et trompettes sonnant la retraite | Hector Berlioz, John Nelson, Alexandre Duhamel, Joyce DiDonato, Michael Spyres, Nicolas Courjal, Orchestre Philharmonique De Strasbourg | D♭ Major | 0 | 3B | 78 BPM | ||
Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung | Gustav Mahler, Leonard Bernstein, New York Philharmonic | B Minor | 0 | 10A | 112 BPM | ||
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
Suite No. 1, P. 109: III. Villanella: Andante Cantabile | Ottorino Respighi, RTÉ National Symphony Orchestra | B Minor | 0 | 10A | 88 BPM | ||
La Damnation de Faust, Op. 24, H 111 / Pt. 2: Fugue sur le thème de la chanson. "Amen" | Hector Berlioz, José van Dam, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | D Major | 2 | 10B | 95 BPM | ||
Gretchen am Spinnrade, D. 118 (Arr. for Piano by Franz Liszt) | Franz Schubert, Yuja Wang | C Major | 3 | 8B | 78 BPM | ||
Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato | Johannes Brahms, David Zinman | E Minor | 1 | 9A | 88 BPM | ||
La Damnation de Faust, Op. 24, H 111 / Pt. 2: Chanson de Méphistophélès. "Une puce gentille" | Hector Berlioz, Kenneth Riegel, José van Dam, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | C Major | 1 | 8B | 85 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM |
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