"Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 3: Tambours et trompettes sonnant la retraite" by Hector Berlioz, John Nelson, Alexandre Duhamel, Joyce DiDonato, Michael Spyres, Nicolas Courjal, Orchestre Philharmonique De Strasbourg was released on November 22, 2019. With Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 3: Tambours et trompettes sonnant la retraite being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 22 out of 45 in Berlioz: La Damnation de Faust by Hector Berlioz, John Nelson, Orchestre Philharmonique De Strasbourg. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 3: Tambours et trompettes sonnant la retraite is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 3: Tambours et trompettes sonnant la retraite by Hector Berlioz, John Nelson, Alexandre Duhamel, Joyce DiDonato, Michael Spyres, Nicolas Courjal, Orchestre Philharmonique De Strasbourg is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriccio Espagnol, Op. 34: 2. Variazioni | Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi | F Major | 0 | 7B | 80 BPM | ||
Rusalka, Op. 114 / Act 1: Overture | Antonín Dvořák, Czech Philharmonic Orchestra, Sir Charles Mackerras | E♭ Major | 0 | 5B | 64 BPM | ||
La mort de Cléopâtre: La Mort de Cleopatre | Hector Berlioz, Beatrice Uria-Monzon, Pas-de-Calais North Regional Choir, Orchestre National de Lille, Jean-Claude Casadesus | E♭ Major | 1 | 5B | 91 BPM | ||
Oberon, J.306: Ouvertüre | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D Major | 1 | 10B | 131 BPM | ||
Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Allegro | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | F Minor | 1 | 4A | 128 BPM | ||
Violin Concerto No. 1 in A Minor, Op. 77: IV. Burlesque. Allegro con brio - Presto | Dmitri Shostakovich, Hilary Hahn, Marek Janowski, Oslo Philharmonic Orchestra, Oslo-Filharmonien | B♭ Major | 3 | 6B | 169 BPM | ||
Simple Symphony, Op. 4: IV. Frolicsome Finale | Benjamin Britten, English Chamber Orchestra | G Major | 4 | 9B | 78 BPM | ||
The Crown Of India: March Of The Mogul Emperors | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B Minor | 4 | 10A | 90 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Grand Galop chromatique in E-Flat Major, S. 219 | Franz Liszt, Lang Lang | A♭ Major | 3 | 4B | 153 BPM |
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