- BPM
- 66
- Key
- F Major
- Camelot
- 7B
The Tender Land Act II: Finale - Aaron Copland, Boston Symphony Orchestra, Cleveland Pops Orchestra, Columbia Symphony Orchestra, Philadelphia Orchestra Information
- Acousticness
- 98%
- Danceability
- 6%
- Energy
- 10%
- Instrumentalness
- 74%
- Liveness
- 8%
- Loudness
- 66%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -20.127 dB
Summary
"The Tender Land Act II: Finale" by Aaron Copland, Boston Symphony Orchestra, Cleveland Pops Orchestra, Columbia Symphony Orchestra, Philadelphia Orchestra was released on November 28, 2014. The Tender Land Act II: Finale is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. The song is number 7 out of 9 in American Compositions by New York Philharmonic Orchestra, Louis Lane, Andre Kostelanetz, Aaron Copland, Eugene Ormandy, Leonard Bernstein, Cleveland Pops Orchestra, Boston Symphony Orchestra, Columbia Symphony Orchestra, Philadelphia Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The Tender Land Act II: Finale is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The Tender Land Act II: Finale BPM
The tempo marking of The Tender Land Act II: Finale by Aaron Copland, Boston Symphony Orchestra, Cleveland Pops Orchestra, Columbia Symphony Orchestra, Philadelphia Orchestra is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The Tender Land Act II: Finale Key
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Peer Gynt Suite No. 1, Op. 46: II. Åse's Death. Andante doloroso | Edvard Grieg, Leonard Bernstein, New York Philharmonic | G Major | 1 | 9B | 135 BPM | |
 | Variation 1: L'istesso tempo | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | A Major | 0 | 11B | 52 BPM | |
 | Appalachian Spring: VI. Meno mosso | Aaron Copland, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 143 BPM | |
 | The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | |
 | Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | |
 | Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | |
 | Lyra Angelica: I. Adagio | William Alwyn, Richard Hickox, City of London Sinfonia, Rachel Masters | C Minor | 1 | 5A | 71 BPM | |
 | Salut d'amour, Op. 12 | Edward Elgar, Andrew Davis, BBC Philharmonic, Tasmin Little | E Major | 0 | 12B | 80 BPM | |
 | Hungarian Dance No. 1 in G Minor: Allegro molto | Johannes Brahms, Staatskapelle Berlin | G Minor | 1 | 6A | 91 BPM | |
 | Walton: Henry V: Passacaglia "Death of Falstaff" | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields | E Minor | 1 | 9A | 79 BPM |
- ISRC
- GBAVQ1400649
- Label
- L-M Records/RCA Records
Section: 0.6454188823699951
End: 0.6502971649169922