Nicola Porpora, Max Emanuel Cenčić, Hasnaa Bennani, Juan Sancho, Capella Cracoviensis, Jan Tomasz Adamus made "Germanico in Germania / Act 2: "Questo è il felice giorno"" available on November 3, 2017. The duration of Germanico in Germania / Act 2: "Questo è il felice giorno" is about 3 minutes long, at 3:18. Based on our data, "Germanico in Germania / Act 2: "Questo è il felice giorno"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 69 in the song's album "Porpora: Germanico in Germania". In this album, this song's track order is #37. The popularity of Germanico in Germania / Act 2: "Questo è il felice giorno" is currently unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Germanico in Germania / Act 2: "Questo è il felice giorno" by Nicola Porpora, Max Emanuel Cenčić, Hasnaa Bennani, Juan Sancho, Capella Cracoviensis, Jan Tomasz Adamus having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite messe solennelle: Agnus Dei | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Delphine Galou | C Major | 1 | 8B | 74 BPM | ||
Cello Sonata No. 1 in C Major: III. Tempo giusto | Nicola Porpora, Adriano Fazio, Katarzyna Solecka, Anna Camporini, Lorenzo Profita, Pedro Alcacer | F♯ Major | 1 | 2B | 132 BPM | ||
Les Indes galantes, RCT 44, Act III: Forêts paisibles | Jean-Philippe Rameau, Chantal Santon Jeffery, Jean-Sébastien Bou, Orfeo Orchestra, Purcell Choir, Gyorgy Vashegyi | F♯ Minor | 3 | 11A | 112 BPM | ||
Mondonville : In exitu Israel : "Mare vivit" | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | D♭ Major | 3 | 3B | 62 BPM | ||
Magnificat in D Major, BWV 243: II. Et exultavit spiritus meus | Johann Sebastian Bach, La Chapelle Royale, Philippe Herreweghe, Agnes Mellon | E♭ Major | 3 | 5B | 101 BPM | ||
Polifemo: Scena V duetto: Placidetti zeffireti / Amoretti vezzosetti - Galatea, Aci | Nicola Porpora, Julia Lezhneva, Yuriy Mynenko, George Petrou, Armonia Atenea | D♭ Minor | 2 | 12A | 83 BPM | ||
La Nuit Ballet: Le Roi représentant le soleils levant | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 1 | 11A | 111 BPM | ||
La forza dell’amore e dell’odio: "Vado a morir" | Francesco Araia, Cecilia Bartoli, I Barocchisti, Diego Fasolis | E Minor | 2 | 9A | 176 BPM | ||
Concerto in G Minor - Oboe, Strings & B.C., Seibel 237: Allegro (2) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | C Major | 1 | 8B | 89 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM |
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