Nicola Porpora, Julia Lezhneva, Yuriy Mynenko, George Petrou, Armonia Atenea made "Polifemo: Scena V duetto: Placidetti zeffireti / Amoretti vezzosetti - Galatea, Aci" available on September 8, 2023. With Polifemo: Scena V duetto: Placidetti zeffireti / Amoretti vezzosetti - Galatea, Aci being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 72 in the song's album "Porpora: Polifemo". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Austria. Polifemo: Scena V duetto: Placidetti zeffireti / Amoretti vezzosetti - Galatea, Aci is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Polifemo: Scena V duetto: Placidetti zeffireti / Amoretti vezzosetti - Galatea, Aci by Nicola Porpora, Julia Lezhneva, Yuriy Mynenko, George Petrou, Armonia Atenea having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Caractères de la Danse: XIV. Sonate | Jean-Féry Rebel, Jordi Savall | D♭ Major | 6 | 3B | 138 BPM | ||
Sinfonia Op.5, No.6: Allegro | Johann Adolf Hasse, Concerto Köln, Pablo Heras-Casado | F♯ Minor | 3 | 11A | 139 BPM | ||
Purcell : King Arthur : Air | William Christie | C Minor | 0 | 5A | 96 BPM | ||
Polifemo: Aria: Fa ch'io ti provi ancora - Ulisse | Nicola Porpora, Max Emanuel Cenčić, George Petrou, Armonia Atenea | E♭ Major | 2 | 5B | 96 BPM | ||
La Giuditta: Part I: Recitative: Nutrice, al fato Assiro cedo Bettulia (Giuditta) | Alessandro Scarlatti, Sophie Landy, Raphael Pichon, Carl Ghazarossian, Ensemble Baroque de Nice, Gilbert Bezzina | B Major | 5 | 1B | 112 BPM | ||
Vespro della Beata Vergine, SV 206: Psalmus "Nisi Dominus" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion, Adrien Mabire, Marouan Mankar-Bennis, Pierre Gallon | B♭ Major | 2 | 6B | 129 BPM | ||
Manna: Laudate pueri: IV. Gloria | Gennaro Manna, Jakub Józef Orliński, Il pomo d'oro Choir, Francesco Corti, Il Pomo D'oro | E Major | 2 | 12B | 80 BPM | ||
Te Deum, H. 146: X. In te Domine speravi | Marc-Antoine Charpentier, Véronique Gens, Les Arts Florissants, Jean-Paul Fouchécourt, Gilles Ragon, Bernard Deletré, William Christie | D♭ Major | 3 | 3B | 97 BPM | ||
If music be the food of love, Z.379 | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | E Major | 1 | 12B | 99 BPM | ||
Cavalli / Arr Pluhar: La Calisto, Act 1: "Piante ombrose" | Francesco Cavalli, Christina Pluhar, L'Arpeggiata | C Major | 1 | 8B | 91 BPM |
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