Practical Cats - An entertainment for speaker and orchestra (1954) (1998 Digital Remaster): The Song of the Jellicles (Molto vivace)
Alan Rawsthorne, Robert Donat, Philharmonia Orchestra
Prokofiev: Peter and the Wolf . Rawsthorne: Practical Cats etc
1:17 February 5, 2006
BPM
79
Key
C Major
Camelot
8B

Embed

Share Link

Practical Cats - An entertainment for speaker and orchestra (1954) (1998 Digital Remaster): The Song of the Jellicles (Molto vivace) - Alan Rawsthorne, Robert Donat, Philharmonia Orchestra Information

Acousticness
99%
Danceability
57%
Energy
26%
Instrumentalness
0%
Liveness
28%
Loudness
70%
Speechiness
16%
Valence
82%
Popularity
Loudness
-17.894 dB

Summary

On February 5, 2006, the song "Practical Cats - An entertainment for speaker and orchestra (1954) (1998 Digital Remaster): The Song of the Jellicles (Molto vivace)" was released by Alan Rawsthorne, Robert Donat, Philharmonia Orchestra. With Practical Cats - An entertainment for speaker and orchestra (1954) (1998 Digital Remaster): The Song of the Jellicles (Molto vivace) being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 39 in the song's album "Prokofiev: Peter and the Wolf . Rawsthorne: Practical Cats etc". In this album, this song's track order is #7. Practical Cats - An entertainment for speaker and orchestra (1954) (1998 Digital Remaster): The Song of the Jellicles (Molto vivace) is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Practical Cats - An entertainment for speaker and orchestra (1954) (1998 Digital Remaster): The Song of the Jellicles (Molto vivace) BPM

With Practical Cats - An entertainment for speaker and orchestra (1954) (1998 Digital Remaster): The Song of the Jellicles (Molto vivace) by Alan Rawsthorne, Robert Donat, Philharmonia Orchestra having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Practical Cats - An entertainment for speaker and orchestra (1954) (1998 Digital Remaster): The Song of the Jellicles (Molto vivace) Key

C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Symphony No. 3 in C Minor, Op. 78 Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Poco adagioCamille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia OrchestraC Major48B105 BPM
Natko Devčić: Istrian Suite: II. Leaping Dance by Natko Devcic, Muenchner Rundfunkorchester, Ivan Repušić, Munich Radio OrchestraNatko Devčić: Istrian Suite: II. Leaping DanceNatko Devcic, Muenchner Rundfunkorchester, Ivan Repušić, Munich Radio OrchestraF Minor24A80 BPM
Prokofiev: Peter and the Wolf, Op. 67: No. 9 The Bird Diverts the Wolf by Sergei Prokofiev, Alexander Armstrong, Vasily Petrenko, Royal Liverpool Philharmonic OrchestraProkofiev: Peter and the Wolf, Op. 67: No. 9 The Bird Diverts the WolfSergei Prokofiev, Alexander Armstrong, Vasily Petrenko, Royal Liverpool Philharmonic OrchestraD Minor27A141 BPM
Concerto for Two Pianos and Orchestra: II. Adagio ma non troppo by Alan Rawsthorne, Geoffrey Tozer, London Philharmonic Orchestra, Matthias Bamert, Tamara Anna CislowskiConcerto for Two Pianos and Orchestra: II. Adagio ma non troppoAlan Rawsthorne, Geoffrey Tozer, London Philharmonic Orchestra, Matthias Bamert, Tamara Anna CislowskiC Major08B77 BPM
Daphnis et Chloé, Suite No. 2, M. 57b: I. Lever du jour by Maurice Ravel, Sir Simon Rattle, London Symphony OrchestraDaphnis et Chloé, Suite No. 2, M. 57b: I. Lever du jourMaurice Ravel, Sir Simon Rattle, London Symphony OrchestraE Minor19A78 BPM
Suite for String Orchestra, JW6 No. 2: V. Adagio by Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van GasterenSuite for String Orchestra, JW6 No. 2: V. AdagioAntonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van GasterenB♭ Major06B89 BPM
Hassan, DCW 8, Act 5 Scene 2: Prelude to the last scene. With flowing movement by Frederick Delius, Britten Sinfonia Voices, Britten Sinfonia, Jamie PhillipsHassan, DCW 8, Act 5 Scene 2: Prelude to the last scene. With flowing movementFrederick Delius, Britten Sinfonia Voices, Britten Sinfonia, Jamie PhillipsC Major08B84 BPM
R. Strauss: Sinfonia Domestica, Op. 53, TrV 209: I. Thema I by Richard Strauss, Munich Philharmonic Orchestra, Zubin MehtaR. Strauss: Sinfonia Domestica, Op. 53, TrV 209: I. Thema IRichard Strauss, Munich Philharmonic Orchestra, Zubin MehtaF Major07B88 BPM
Copland: Suite from Appalachian Spring: II. Allegro (1945 Version) by Aaron Copland, Minnesota Orchestra, Sir Neville MarrinerCopland: Suite from Appalachian Spring: II. Allegro (1945 Version)Aaron Copland, Minnesota Orchestra, Sir Neville MarrinerC Major08B87 BPM
Abbey Road concerto for Violin and Orchestra: II. Come together by Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la ParraAbbey Road concerto for Violin and Orchestra: II. Come togetherGuy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la ParraA Major511B157 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6269237995147705

End: 0.631267786026001