On February 5, 2006, the song "Practical Cats - An entertainment for speaker and orchestra (1954) (1998 Digital Remaster): The Song of the Jellicles (Molto vivace)" was released by Alan Rawsthorne, Robert Donat, Philharmonia Orchestra. With Practical Cats - An entertainment for speaker and orchestra (1954) (1998 Digital Remaster): The Song of the Jellicles (Molto vivace) being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 39 in the song's album "Prokofiev: Peter and the Wolf . Rawsthorne: Practical Cats etc". In this album, this song's track order is #7. Practical Cats - An entertainment for speaker and orchestra (1954) (1998 Digital Remaster): The Song of the Jellicles (Molto vivace) is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Practical Cats - An entertainment for speaker and orchestra (1954) (1998 Digital Remaster): The Song of the Jellicles (Molto vivace) by Alan Rawsthorne, Robert Donat, Philharmonia Orchestra having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Poco adagio | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
Natko Devčić: Istrian Suite: II. Leaping Dance | Natko Devcic, Muenchner Rundfunkorchester, Ivan Repušić, Munich Radio Orchestra | F Minor | 2 | 4A | 80 BPM | ||
Prokofiev: Peter and the Wolf, Op. 67: No. 9 The Bird Diverts the Wolf | Sergei Prokofiev, Alexander Armstrong, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | D Minor | 2 | 7A | 141 BPM | ||
Concerto for Two Pianos and Orchestra: II. Adagio ma non troppo | Alan Rawsthorne, Geoffrey Tozer, London Philharmonic Orchestra, Matthias Bamert, Tamara Anna Cislowski | C Major | 0 | 8B | 77 BPM | ||
Daphnis et Chloé, Suite No. 2, M. 57b: I. Lever du jour | Maurice Ravel, Sir Simon Rattle, London Symphony Orchestra | E Minor | 1 | 9A | 78 BPM | ||
Suite for String Orchestra, JW6 No. 2: V. Adagio | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | B♭ Major | 0 | 6B | 89 BPM | ||
Hassan, DCW 8, Act 5 Scene 2: Prelude to the last scene. With flowing movement | Frederick Delius, Britten Sinfonia Voices, Britten Sinfonia, Jamie Phillips | C Major | 0 | 8B | 84 BPM | ||
R. Strauss: Sinfonia Domestica, Op. 53, TrV 209: I. Thema I | Richard Strauss, Munich Philharmonic Orchestra, Zubin Mehta | F Major | 0 | 7B | 88 BPM | ||
Copland: Suite from Appalachian Spring: II. Allegro (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | C Major | 0 | 8B | 87 BPM | ||
Abbey Road concerto for Violin and Orchestra: II. Come together | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 5 | 11B | 157 BPM |
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