Abbey Road concerto for Violin and Orchestra: II. Come together - Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra Information

Acousticness: 92%
Danceability: 41%
Energy: 47%
Instrumentalness: 72%
Liveness: 35%
Loudness: 73%
Speechiness: 9%
Valence: 16%
Popularity: 0%
Loudness: -16.195 dB

Summary

"Abbey Road concerto for Violin and Orchestra: II. Come together" by Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra was released on April 26, 2024. The duration of Abbey Road concerto for Violin and Orchestra: II. Come together is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Abbey Road concerto for Violin and Orchestra: II. Come together's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra's "Guy Braunstein: Abbey Road Concerto (EP)" album is number 2 out of 15. On top of that, France appears to be the country where this track was created. Based on our statistics, Abbey Road concerto for Violin and Orchestra: II. Come together's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Abbey Road concerto for Violin and Orchestra: II. Come together BPM

We consider the tempo marking of Abbey Road concerto for Violin and Orchestra: II. Come together by Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra to be Vivace (lively and fast) because the track has a tempo of 157 BPM, a half-time of 78BPM, and a double-time of 314 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.

Abbey Road concerto for Violin and Orchestra: II. Come together Key

This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Eleven Partite diverse sopra "Sei gegrüßet, Jesu gütig": Variation I	Johann Sebastian Bach, Ralph Downes	F Major	2	7B	66 BPM
Mythes, Op. 30, M29: No. 1, La fontaine d'Aréthuse	Karol Szymanowski, Elizabeth Chang, Steven Beck	E♭ Minor	2	2A	174 BPM
3 Corali, P. 167: No. 2, Andante con moto e scherzando (After J.S. Bach's BWV 648)	Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling	G Major	0	9B	74 BPM
Amour... amour... (Version for Orchestra)	Franco Alfano, Orchestra Sinfonica Di Milano, Giuseppe Grazioli	G Major	1	9B	99 BPM
Symphony No. 5 in E-flat major, Op. 82: II. Andante mosso, quasi allegretto	Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin	G Major	0	9B	129 BPM
Spanish Dances, Op. 22: Danza espanola No. 4: Jota navarra, Op. 22, No. 2	Pablo de Sarasate, Tianwa Yang, Markus Hadulla	G Major	1	9B	99 BPM
Sextet for Piano, Clarinet, Horn and String Trio, Op. 37: III. Allegro con sentimento –	Ernst von Dohnányi, Nash Ensemble	G Major	3	9B	170 BPM
Gli uccelli, P. 154: III. La gallina	Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling	D Major	1	10B	173 BPM
Romeo and Juliet, Op. 64: I. Introduction	Sergey Prokoviev, Adrien La Marca, Christian Arming, Liège Royal Philharmonic	D Major	0	10B	77 BPM
Piano Trio in A Minor, M. 67: II. Pantoum. Assez vif	Maurice Ravel, Florestan Trio	C Major	2	8B	100 BPM

ISRC: FR50X2186902
Label: L-M Records/RCA Records

Section: 0.6739065647125244

End: 0.678086519241333