"Eleven Partite diverse sopra "Sei gegrüßet, Jesu gütig": Variation I" by Johann Sebastian Bach, Ralph Downes was released on May 17, 2024. The duration of Eleven Partite diverse sopra "Sei gegrüßet, Jesu gütig": Variation I is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Eleven Partite diverse sopra "Sei gegrüßet, Jesu gütig": Variation I's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Lenough Anderson, Ralph Downes's "J.S. Bach on the Organ of the Royal Festival Hall" album is number 7 out of 18. On top of that, United Kingdom appears to be the country where this track was created. Eleven Partite diverse sopra "Sei gegrüßet, Jesu gütig": Variation I is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Eleven Partite diverse sopra "Sei gegrüßet, Jesu gütig": Variation I by Johann Sebastian Bach, Ralph Downes to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Everyone Lies | Hollers Gang | D♭ Minor | 1 | 12A | 84 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: II. Andante marcia funebre I | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | C Minor | 0 | 5A | 85 BPM | ||
Piano Concerto: III. Charleston. Allegro vivace | Jaroslav Ježek, Czech Radio Symphony Orchestra, Jaromír Nohejl, Jan Novotný | C Major | 3 | 8B | 102 BPM | ||
Sinfonietta: II. Andante | Maya Badian, Brasov State Philharmonic Orchestra, Ilarion Ionescu-Galati | G Major | 1 | 9B | 80 BPM | ||
25 Études faciles et progressives, Op. 100: No. 20, Tarantelle | Franz Burgmüller, The Gerst Ensemble | B Minor | 0 | 10A | 172 BPM | ||
Túria (Agua salvaje) | Gabriel Andrés Gallegos, Budapest Art Orchestra | D Minor | 0 | 7A | 144 BPM | ||
Fanfare and Theme for Symphonic Orchestra | Rafael Krux | B♭ Major | 1 | 6B | 89 BPM | ||
Relâche, Pt. 2: No. 10, La femme rejoint son fauteuil | Erik Satie, Ronald Corp, New London Orchestra | D Major | 3 | 10B | 122 BPM | ||
Concerto for Flute and Orchestra: II. Andante | Jacques Ibert, Sami Junnonen, Helsinki Chamber Orchestra, James S. Kahane | D♭ Major | 0 | 3B | 67 BPM | ||
Let Us Endeavor SHZ 142 | Laestadian Lutheran Church, Laurel Loukusa, Ashley Niemela | C Minor | 0 | 5A | 66 BPM |
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