"Concerto for Two Pianos and Orchestra: II. Adagio ma non troppo" by Alan Rawsthorne, Geoffrey Tozer, London Philharmonic Orchestra, Matthias Bamert, Tamara Anna Cislowski was released on November 1, 1992. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Rawsthorne: Piano Concertos". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Concerto for Two Pianos and Orchestra: II. Adagio ma non troppo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto for Two Pianos and Orchestra: II. Adagio ma non troppo by Alan Rawsthorne, Geoffrey Tozer, London Philharmonic Orchestra, Matthias Bamert, Tamara Anna Cislowski having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Illusion, Op. 1, No. 2 | Selim Palmgren, Camerata Finlandia, Jorma Panula | E Minor | 0 | 9A | 172 BPM | ||
Reminiscentia / Autumn Landscapes: II. Clouds Racing Across the Sky | Veljo Tormis, Tallinn Chamber Orchestra, Tõnu Kaljuste | E Minor | 0 | 9A | 102 BPM | ||
Indiana Jones and the Raiders of the Lost Ark: Marion's Theme | Danish National Symphony Orchestra, Christian Schumann | C Minor | 2 | 5A | 89 BPM | ||
Eventide: X. Fugato | Kenneth Fuchs, Tim McAllister, Sinfonia Of London, John Wilson | F Major | 0 | 7B | 76 BPM | ||
El amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night) | Manuel de Falla, Alicia Nafé, Asturias Symphony Orchestra, Maximiano Valdes | A♭ Major | 0 | 4B | 89 BPM | ||
Estancia, Op. 8: Scene 5, El Amanecer - Escena | Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo | B♭ Major | 1 | 6B | 140 BPM | ||
Ma mère l'oye (Cinq pièces enfantines), M. 62: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Paavo Järvi, Cincinnati Symphony Orchestra | C Major | 0 | 8B | 76 BPM | ||
Raymonda, Op. 57: Act I - Introduction - Premier tableau | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | C Minor | 0 | 5A | 76 BPM | ||
Relâche, Pt. 2: No. 10, La femme rejoint son fauteuil | Erik Satie, Ronald Corp, New London Orchestra | D Major | 3 | 10B | 122 BPM | ||
Elegy (Completed by J. Bream) | Alan Rawsthorne, Xavier Jara | E Minor | 0 | 9A | 126 BPM |
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