"R. Strauss: Sinfonia Domestica, Op. 53, TrV 209: I. Thema I" by Richard Strauss, Munich Philharmonic Orchestra, Zubin Mehta was released on January 20, 2023. With R. Strauss: Sinfonia Domestica, Op. 53, TrV 209: I. Thema I being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 7 in the song's album "Strauss: Sinfonia Domestica". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Saint Lucia. R. Strauss: Sinfonia Domestica, Op. 53, TrV 209: I. Thema I is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With R. Strauss: Sinfonia Domestica, Op. 53, TrV 209: I. Thema I by Richard Strauss, Munich Philharmonic Orchestra, Zubin Mehta having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: II. Scherzo. Vivacissimo | Sergei Prokofiev, Sarah Chang, Sir Simon Rattle, Berliner Philharmoniker | A Minor | 2 | 8A | 137 BPM | ||
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation X. Intermezzo. Allegretto "Dorabella" | Edward Elgar, Sir John Barbirolli, Philharmonia Orchestra | C Minor | 0 | 5A | 79 BPM | ||
Rêverie | Fernand de la Tombelle, Munich Radio Orchestra, Herve Niquet | E Major | 1 | 12B | 99 BPM | ||
Elektra: Viii. Die Götter | Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Gunilla Söderström, Carina Morling, Eva Pilat, Royal Swedish Opera Orchestra, Siegfried Köhler | F♯ Major | 1 | 2B | 88 BPM | ||
Symphony No. 5, Op. 50: IIb. Presto | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | C Major | 1 | 8B | 60 BPM | ||
Approaching the Crazed Myth Hunter | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Il tabarro, SC 85: Introduzione | Giacomo Puccini, Dresdner Philharmonie, Marek Janowski | A Major | 0 | 11B | 202 BPM | ||
Gurre-Lieder / Part 1: 1. Orchestral Prelude | Arnold Schoenberg, Boston Symphony Orchestra, Seiji Ozawa | E Major | 3 | 12B | 89 BPM | ||
Appalachian Spring - 1945 Suite: 1. Very slowly | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | A Major | 0 | 11B | 71 BPM | ||
Notre Dame, Op. 2: Intermezzo. Sehr zurückhalten - Langsam | Franz Schmidt, Jonathan Berman, BBC National Orchestra Of Wales | D Major | 0 | 10B | 82 BPM |
Section: 0.8738899230957031
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