"Copland: Suite from Appalachian Spring: II. Allegro (1945 Version)" by Aaron Copland, Minnesota Orchestra, Sir Neville Marriner was released on May 24, 2024. The duration of Copland: Suite from Appalachian Spring: II. Allegro (1945 Version) is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Copland: Suite from Appalachian Spring: II. Allegro (1945 Version)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 13 in Copland: Appalachian Spring, Four Dance Episodes from Rodeo & El Salon México by Aaron Copland, Sir Neville Marriner, Minnesota Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Copland: Suite from Appalachian Spring: II. Allegro (1945 Version) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Copland: Suite from Appalachian Spring: II. Allegro (1945 Version) by Aaron Copland, Minnesota Orchestra, Sir Neville Marriner is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Darkness | Christian Lindberg, Símon Bolívar Symphony Orchestra | B♭ Major | 8 | 6B | 133 BPM | ||
Everyone Lies | Hollers Gang | D♭ Minor | 1 | 12A | 84 BPM | ||
Growing Up Is Hard to Do | Andrea Datzman | C Major | 3 | 8B | 120 BPM | ||
Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Zwischenspiel No. 3, Scherzino | Peter Kiesewetter, Symphonieorchester des Bayerischen Rundfunks, Heinz Rühmann | D Major | 2 | 10B | 107 BPM | ||
Capriol Suite: III. Tordion | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | D Minor | 2 | 7A | 90 BPM | ||
Symphony No. 1 in D, Op. 25 "Classical Symphony": 2. Larghetto | Sergei Prokofiev, No Borders Orchestra, Premil Petrovic | E Major | 0 | 12B | 76 BPM | ||
Fantasia dall'Italia: "Nel cor più non mi sento" dalla Bella Molinara di Giovanni Paisiello, Op. 4: VIII. Variazione VI Finale presto | Theobald Boehm, Claudio Ferrarini, Accademia Farnese | G Major | 5 | 9B | 80 BPM | ||
The Prague Carnival. Introduction and Polonaise | Bedřich Smetana, Prague Symphony Orchestra, Tomáš Brauner | A Major | 3 | 11B | 69 BPM | ||
Ravi | Sanseti Sabaru | D Minor | 0 | 7A | 151 BPM | ||
The Red Pony Suite: IV. Walk To The Bunkhouse | Aaron Copland, Buffalo Philharmonic Orchestra | F Major | 0 | 7B | 75 BPM |
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