"Capriol Suite: III. Tordion" by Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt was released on August 13, 2021. With Capriol Suite: III. Tordion being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 19 out of 23 in Elgar-Britten-Warlock-Jenkins: Very British by Metamorphosen Berlin. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Capriol Suite: III. Tordion is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Capriol Suite: III. Tordion by Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les biches Suite, FP 36b: IV. Andantino | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Minor | 1 | 6A | 80 BPM | ||
2 Sketches: A Northern Dance | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 2 | 8A | 136 BPM | ||
Symphony No. 1 in D, Op. 25 "Classical Symphony": 2. Larghetto | Sergei Prokofiev, No Borders Orchestra, Premil Petrovic | E Major | 0 | 12B | 76 BPM | ||
Madama Butterfly, SC 74, Act I: Vogliatemi bene | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | F♯ Minor | 4 | 11A | 80 BPM | ||
Das Waldmädchen: No. 10, Larghetto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM | ||
L'Arlésienne Suite No. 2, GB 121b: IV. Farandole (Transcr. for Solo Violin and Orchestra) | Georges Bizet, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM | ||
Six Italian Dance Tunes: La Manfrolina | Peter Warlock, Ross Pople | E Minor | 0 | 9A | 173 BPM | ||
Concertino for Cello and Orchestra in G Minor, Op. 132: I. Andante mosso | Sergei Prokofiev, Wolfgang Emanuel Schmidt, Gabriel Feltz | A♭ Major | 0 | 4B | 72 BPM | ||
Romeo and Juliet, Op. 64: No. 10 The Young Juliet | Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | F Major | 0 | 7B | 110 BPM | ||
An Old Song | Peter Warlock, BBC Concert Orchestra, David Hill | B Minor | 0 | 10A | 83 BPM |
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