Romeo and Juliet, Op. 64: No. 10 The Young Juliet - Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler Information

Acousticness: 93%
Danceability: 25%
Energy: 2%
Instrumentalness: 45%
Liveness: 6%
Loudness: 41%
Speechiness: 4%
Valence: 8%
Popularity: 4%
Loudness: -35.288 dB

Summary

"Romeo and Juliet, Op. 64: No. 10 The Young Juliet" by Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler was released on February 26, 1994. The duration of Romeo and Juliet, Op. 64: No. 10 The Young Juliet is about 3 minutes long, at 3:24. Based on our data, "Romeo and Juliet, Op. 64: No. 10 The Young Juliet" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 52 in the song's album "Prokofiev: Romeo & Juliet". In this album, this song's track order is #10. In terms of popularity, Romeo and Juliet, Op. 64: No. 10 The Young Juliet is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Romeo and Juliet, Op. 64: No. 10 The Young Juliet BPM

With Romeo and Juliet, Op. 64: No. 10 The Young Juliet by Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.

Romeo and Juliet, Op. 64: No. 10 The Young Juliet Key

This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphonie fantastique, Op. 14, H. 48: II. Un bal: Allegro non troppo	Hector Berlioz, Slovak Radio Symphony Orchestra, Pinchas Steinberg	C Major	1	8B	118 BPM
Henry VIII: Danse de la gypsy	Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia	D Minor	1	7A	82 BPM
Brook Green Suite: III. Dance	Gustav Holst, English Sinfonia, Howard Griffiths	C Major	3	8B	82 BPM
Pictures at an Exhibition (Orch. Ravel): I. Gnomus	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	E Major	1	12B	60 BPM
Zapateado Op. 23	Pablo de Sarasate, Sarah Chang, Charles Abramovic	A Major	3	11B	113 BPM
3 Waltzes, Op. 64: No. 2 in C-Sharp Minor	Frédéric Chopin, Arthur Rubinstein	D♭ Minor	0	12A	76 BPM
Raymonda, Op. 57: Act II - Variation I	Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov	D♭ Major	0	3B	83 BPM
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74]	Franz Liszt, Joseph Banowetz	G Minor	0	6A	96 BPM
La Mer, L.109: 3. Dialogue Of The Wind And The Sea	Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit	D♭ Major	2	3B	83 BPM
Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 3, The Street awakens	Sergei Prokofiev, André Previn, London Symphony Orchestra	D Major	0	10B	121 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.9441738128662109

End: 0.9483530521392822