- BPM
- 94
- Key
- A♭ Major
- Camelot
- 4B
La traviata / Act 2: "Pura siccome un angelo" - Giuseppe Verdi, Cheryl Studer, Juan Pons, Metropolitan Opera Orchestra, James Levine Information
- Acousticness
- 98%
- Danceability
- 44%
- Energy
- 6%
- Instrumentalness
- 0%
- Liveness
- 62%
- Loudness
- 60%
- Speechiness
- 7%
- Valence
- 20%
- Popularity
- 17%
- Loudness
- -23.731 dB
Summary
Giuseppe Verdi, Cheryl Studer, Juan Pons, Metropolitan Opera Orchestra, James Levine's 'La traviata / Act 2: "Pura siccome un angelo"' came out on January 1, 1992. With La traviata / Act 2: "Pura siccome un angelo" being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Verdi: La Traviata by Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi, Marianne Eklof, Barbara Bonney, Gösta Ohlin's Vocal Ensemble & Pro Musica Chamber Choir, Richard Wagner, Bernard Haitink, Richard Wagner, Gerard Schwarz, Giuseppe Verdi, Metropolitan Opera Orchestra, James Levine. The song's track number on the album is #13 out of 38 tracks. In terms of popularity, La traviata / Act 2: "Pura siccome un angelo" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
La traviata / Act 2: "Pura siccome un angelo" BPM
Since La traviata / Act 2: "Pura siccome un angelo" by Giuseppe Verdi, Cheryl Studer, Juan Pons, Metropolitan Opera Orchestra, James Levine has a tempo of 94 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With La traviata / Act 2: "Pura siccome un angelo" being at 94 BPM, the half-time would be 47 BPM with a double-time of 188 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
La traviata / Act 2: "Pura siccome un angelo" Key
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Requiem: IIj. Lacrymosa | Giuseppe Verdi, Mirella Freni, Christa Ludwig, Carlo Cossutta, Nicolai Ghiaurov, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 1 | 3A | 170 BPM | |
 | Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Arioso. "Kak shchastliv, kak shchastliv ya!" - "Ya lyublyu vas" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Anne Sofie von Otter, Neil Shicoff, Thomas Allen, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | |
 | Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | |
 | Don Pasquale - original version / Act 3: "Quel guardo il cavaliere" | Gaetano Donizetti, Kathleen Battle, Metropolitan Opera Orchestra, James Levine, Max Epstein | A♭ Major | 3 | 4B | 149 BPM | |
 | L'elisir d'amore / Act 1: "Lallarallara...Chi è mai quel matto?" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | A♭ Major | 1 | 4B | 120 BPM | |
 | Luis Fernanda, Act I, Scene 4: Luisa Fernanda y Vidal (Luisa Fernanda, Vidal) | Federico Moreno Torroba, Verónica Villarroel, Orquesta Sinfónica de Madrid, Antoni Ros Marbá, Juan Pons | A♭ Major | 2 | 4B | 109 BPM | |
 | Cavalleria rusticana: "Il cavallo scalpita" | Pietro Mascagni, Piero Cappuccilli, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Major | 3 | 2B | 128 BPM | |
 | Verdi: La traviata, Act 1: "Sempre libera" (Violetta, Alfredo) | Giuseppe Verdi, Riccardo Muti, Philharmonia Orchestra | A♭ Major | 1 | 4B | 85 BPM | |
| L'elisir d'amore / Act 2: "Ei corregge ogni difetto" | Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Luciano Pavarotti, Dominic Cossa, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | B♭ Major | 3 | 6B | 126 BPM | |
 | Lucia di Lammermoor / Act 1: "Quando rapito in estasi" | Gaetano Donizetti, Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 3 | 9B | 84 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6611385345458984
End: 0.6675148010253906